I've got a show tomorrow with a tiny changeover so I want to be 100% sure I get this right. I have manually set the (linked) bus 11/12 and 13/14 to subgroup, turned off every channel I don't want to go to said subgroup, I think turned on the channels I do want to go to the subgroup, send subgroup to LR, cut said channels out of the LR, am I good to go? Or should I really manually set EVERY channel to subgroup? Now I'm asking anyway, that's the point of setting this per channel.. If I want bus 11/12 to be a subgroup, I want it to be a subgroup for every channel, right? Lastly, panning in the LR is copied to the linked subgroup I assume? 

Hello, I would like to know, if after the release of the behringer wing, the m32r is going to improve the engine, so that the processors work on each channel, for example, I love the wing, but I would love the size and physical inputs of the m32r

I am trying to route a signal out of a local XLR out off a buss and no matter what XLR out I plug into, I get a tremendous amount of white/pink noise on the other end. At first I thought perhaps I had the oscillator on, but I do not. Muting all inputs/channels, busses etc doesn't change anything. Also, there is NO signal from the bus I am routing out of.

My use case:

Lavalier mic with signal sent to Bus 16. XLR out 13 is configured to send the signal from Bus 16 out to a video camera. (We video record a Pastor's messages and take the out from the lav mic on the M32 into the XLR input of the camera)

I know this console was always explained as allowing 8ch over Mackie HUI, but in the recent years I've heard of people using OSC and perhaps other protocols (MIDI CC?) to unlock significantly more of the X32/M32.

Today, is anyone aware of a means to have my M32 control Studio One (faders, pans, mute, solo) bidirectionally?

I love this console, but is primary use in my studio is:

1.  Playing music from my iPod to the studio monitors.

2.  Acting as a giant AD / DA converter for my outboard gear.

3.  Providing extra preamps for drum tracking.

It's great for those tasks, but otherwise, it's somewhat sad that the console can't do more for me.  I guess I bought it more for the "studio" and less the "live" setting.

My church has a Midas M32 connected to a DL32 stage box via AES50A with the HUB4 (with 4 DP48s connected) connected via AES50B.  While the AES50A routing works great, I'm finding the routing for AES50B defaults back to the factory default even on saved scenes (with no recall safes enabled).  Nearly every time I power-on the board and recall a saved scene, I need to reset the routing on the AES50B tab.

Has anyone else experienced this...is there something I need to do to ensure this routing stays intact?

Hello!

does anyone know if there is good practice rules to avoid the M32 OSC overflow described here (https://trello.com/c/bY9eKgR2)?

Correct me if i'm wrong, but softwares like M32Edit or davidgiga1993's Mixing station on Android do use OSC protocol?

So if i'm correct, those softwares make a safe use of OSC communication, at least a use that avoids this bug. Because they can run for days without crashing the M32R.

So if anyone has ideas about those good practice rules, they are welcome.

Background of my question: I am developing a surround algorithm that send OSC messages to a M32R (v4.06) in order to dynamically change busses sends level of several tracks (to several busses). This is dynamic surround, so the sends level change continuously. That means a lot of OSC messages, about 1000 messages/second. During my stress tests my M32R freezes about every 10 minutes. Even if I change the update rate to 500 messages/second. I have checked that the ethernet bandwidth used by my surround application is nearly the same as when M32edit runs, so this does not seem to be exagerate.

I have tried to be the as safe as possible. I use a direct cat5e cable from my computer to the M32R. No switch/router/wifi, only one câble.

Thanks a lot

Hi, I'm FOH operator for C Tangana, and we are going to start our new international tour.

I'll like to do it with the HD96 this time, but I have a few doubts.

We need to record about 96ch and have the ability to do the virtual soundcheck every show.

With dante I only can risk 64ch in and out. I could use 2 computers, but in 2022 it doesn't seem like a solution for every day of a tour

There is a Audinate's Dante PCIe-R Soundcard, but has been discontinued and support for this product will cease on 17 December 2022. So I'm not going to buy this expensive card for less than a year.

So my question is, is there any other solution to make that possible? I'm sure there is, but I don't know how to do it.

Can you help me with that?

Thank you in advance

New MR18 user. So far so good. Trying to get the midi commands to work and I was able to get a mute and effects fader toggle working. I do all the mixing from the stage. I was wondering if anyone knew of a way to control other things with a midi controller (footswitch in my case). Specifically:

1) Toggle an effect insert

2) Route the LR outputs to Aux 5&6, toggle on, mute aux 6 and route aux 5 back to the Bus 5, toggle off.

Seems like there a lot of things midi commands could do but aren't a thing yet.