How do you control Head Amp levels and phantom power on the Midas DL32 Stagebox plugged into AES50 to Dante convertor?

I have been told it through the MIDI conectors, but what do you connect to them??

Any help is appreciated. Thanks

Hi.
I’m looking to upgrade out broadcast truck’s audio capabilities, and am considering going with the Midas HD-96, however I have a few questions regarding using AES50 stageboxes over fibre.

The documentation states that to use a Klark Teknik DN9680 to send AES over fibre, we need to “upgrade” to the multimode fibre module.
Is this really the case?

We would only need three DL153 stageboxes maximum for our rigs (two would be enough, but a third would allow future expansion).
The three stageboxes are run to separate locations, and so we don’t need multiplexing.
I was hoping we could take 3 of the AES50 ports, and use DN9680s to run single mode fibre directly from the truck to the stageboxes.

We currently use Dante stageboxes run over SMPTE311 hybrid fibre cables, due to their incredible ruggedness, weatherproofness, their ability to be daisychained, and being a TV company we have plentiful stock of them.
Our runs are typically between 100 and 200m, occasionally up to 400m.

However, these are single-mode fibre, and would not work with the “upgraded” multimode module in the KT9680

Could anyone give me the lowdown on AES-over-fibre? Do we really have to use multimode?

Thanks in advance.

Hello U all,

I am desperately looking for a X dante card or DN32 Dante card to hook up my X32 to a Dante network. Unfortunatly, these items are not available for retail in Europe due to the Covid economic disaster (I assume...).

Will somebody be willing to sell me a second hand card ? I am going on tour pretty soon and I really need one. I live in France.

Thanks. Regards

Hi,

What the difference on the "old" stagebox (DL32) and the new ones (StageConnect series)?

In my band our sound engineer is currently using the DL32 with a M32 Live (his own gear). We're now considering to buy our own stagebox and digital mixer in the band. We're considering the M32C (rack size mixer) and the DL32. But then I discoverede the new StageConnect series. We could then use 2 x DN4816-I and 1 x DN4816-O instead of 1 x DL32. But can anyone explain to me, what the differences are, and what the pros and cons are? Should we stick to the DL32 with all its features and options or go for the new stageboxes?

Thanks!

- Jeppe

Hi,

my church has a Midas m32 console, and 2 s16 stage boxes. We currently have in use the first 16 inputs ( 1-16 )on one s16 and a handful of inputs ( 17-25) on the next s16. We are also using 6 of the outputs ( 1-6 ) on one s16 for IEMs and 2 outputs ( 15-16 ) on the second s16 for our main PA. These are both connected via AES50 A cable. The stage boxes are connected by running a Ethernet cable from AES50 A on the back of the console to the AES50 A port on the first s16, then it is connected to the second s16 by running an Ethernet from AES50 B on the first box to AES50 A on the second s16. 

we also have a LABGRUPPEN connected to our m32 console for running overflow speakers to other rooms ( we have these labeled as matrix 1,2,3 ) these are connected to the back of the console on output ports ( 9-13 ) how can I map these stage boxes and local outputs in the routing section of my m32 but also have the ability to control each one of the matrix individually 

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Hi Team,

Am I able to use any combination of the local console  and stage box in / outs so long as I stay in banks of 8? All connected over AES network

example: For input first 24 ins from DL32 sent to m32 FOH.. additional 8 and Aux in user local on M32

 All combination of 32 ins from DL 32 and local M33 inputs sent over AES network to

M32 R

For output 

M32 FOH out 1 to 8 sends use DL32 stage box 

8 to 16 use local on M32 

M32R use local outs 1-8 

Application 10 pc band... multiple stereo mixes required for IEM systems.

Mutilpe Wireless mic channels also used for input.

both mixers will be side stage with short cable runs as these are all wedding and corporate functions, where a true FOH position is not provided.

All tech gear is side stage.. 

I hope the question is clear 

PC