Hello,

1. Is it better to control my XR18 during a live gig through a wifi-connected (via external router) Android tablet or through a wifi connected (also via external router) PC (laptop)? 

2. Relatedly, is there some sort of priority one gets over the other? For example, if one person is making changes through the PC does the PC somehow block any changes another person puts in through their tablet or phone (changes to in ear monitor AUX outs, for example)?

3. Finally, can someone confirm that snapshots are saved in the mixer whereas scenes are saved in the controlling device? If so, if I save a scene in my laptop and call it up at the start of the gig, can I then move my controlling to the tablet and use the tablet during the gig? Then at the end of the gig would I have to start the laptop back up to save the gig's "scene"?

Thanks and sorry for the complicated questions. I am new and we gig tomorrow.

Brian

Hello,

i really use many years Behringer Products, but in my and from sond engineers opinion e are missing new innovation. example Touch screen or optical connection between mixing and S16(Example). 

So how your next innovation?? 

Best Recards 

Sven Burgis

I just need to know the configuration on the aes50 cabeling and and how to send all my  outputs from the dl32. I so far have no problem getting all the inputs to both consoles but the outputs are a problem.I wanted to ust xlr out 7 and 8 as my m32C foh mix output and 15 and 16 for x32  for foh in another room. Aslo wanted to send buss mixes 1-6 out of dl32 for monitor sends from x32.

Hope this make sense. This routing system makes no sense to me and I'm not new here.

I thought the newer firmware would make it easier and for inputs it does but I cant make sense of the output section.

Hi all,

I am considering a stage setup where I would connect the balanced outs of an onstage Behringer XR18 to the house snake and ultimately to FOH mic inputs. I would be sure to attenuate the XR18 output to send a mic-level signal.

However, I'm concerned about the possibility of damage to the XR18 if FOH were to (perhaps accidentally) send 48v phantom power on those channels. I'm finding opinions on both sides of this question, but it ultimately seems to come down to whether the specific mixer has blocking caps on the outputs to protect against unwanted voltage.

Does anybody know if the XR18 outputs have such protection? Or how I might go about finding out? Haven't been able to find anything about this in Behringer documentation.

I know I can avoid the question entirely with DI boxes, but I'm trying to figure out if that's really necessary.

Thanks!

Hello.
I recently bought two SD8 and a SD16 to use as XLR boxes in my studio and be able to conect the mics in several places of the recording room via one CAT5 cable to the control room. The thing is I can easily use one of them but can't get to record using the three on cascade.
I have the AES50 A input conected to the A input on a SD8. The B of that SD8 conected to the A of the SD16 and the B of the SD16 to the A of a SD8. I entered the routing page and it detects the three boxes as in A mode (or channel or whatever). I then set the inputs as follows:
1-8 to AES50 A9-16 (the SD16)

9-16 to AES50 A-17-24 (the SD16)

17-24 to AES50 A1-8 (the first SD8)

25-32 toAES50 25-32 /the second SD8)

It's so I have the first 16 inputs in the SD16 where my drums are.

In the X32 you can see the input signals correcly but when going to record in my MAC through the usb connection it all seems messed up and it only recognices some inputs...

Noting that I have 32 inputs enabled and have recorded them before using the XLR inputs of the X32. I use Ableton Live 10 on a MAC.

As always, thanks a lot for your time and support.

I'm currently getting inconsistent performance on a couple of inputs on the DL16 Stage Box. Specifically, the overall gain levels drastically vary from week to week as it's used primarly on Sundays at church. To clarify, the parameters themselves don't vary, but rather I encounter significantly decreased input signal. I've ruled out mics and cables..i.e. input 1 causes trouble so I move it to input 9 and it's fine. Do you think a firmware update will solve this problem? My m32 console is current.

The device will not power up.  I am using a Furman power conditioner

it is in a controlled studio.  (no moisture, sunlight, overheating).  

Powerlight comes on, then dims and flickers

The device doesn't work will not connect to wifi, nor register on the usb.

Hi

I was at a practice last night with a band I am mixing this weekend. They have a Driverack PA in the House signal path and a DBX feedback buster on the monitors. Neither of these was registering an input more than 2 bars and I think I need a stronger signal, especially for the house.

I have healthy enough signals at the input (I had to turn down a couple that were hitting the red a little) and I had all the faders set to 0 dB. I disabled a compressor on the L/R bus that was hitting way too hard, and that got be a bit more signal, but the input indicators on the driverack are still 3 bars shy of 0dB.

I'm thinking maybe put an LA-2 on the L/R bus and tickle it with some makeup gain?

Thanks. Phil