Statistics

290,117 members
172,712 posts
  • New
    rockbill01
    Newcomer - Level 1
    2021-08-28

    How are you!

    I live in Suwon, South Korea, and am an office worker who is interested in sound equipment.

    I had an idea for a wireless method during acoustic monitoring for a long time, so I sent it to AVIX & CUOSHOP the official Korean importer of Behringer, to propose and discuss it.

    The wireless WIFI monitoring app development book and STAGE WAVE & other monitoring APP Guide materials are attached as additional materials through AVIX.
    In the future if necessary, we will make it into a translated material and provide it.

    Currently, I am in charge of circuit parts in JIG and equipment assembly and manufacturing at Samsung VD and a primary supplier (Na & Na).

    In general, in relation to monitoring, it is a form of using one's own smartphone as a monitoring device from a wired method using

    Behringer P16-M to a wireless network method using WIFI Router. Innovative products are being launched to support you.

    We have analyzed STAGE WAVE App, which is currently the most emerging, and we would like to suggest a way to develop more advanced than

    STAGE WAVE App by identifying the improvements in the network of that APP.

    Advantages of STAGE WAVE: App compatibility / stability / Low latency possible (latency changes depending on the setting)

    Cons: Requires high-performance Router and mid-range performance smart phone
    Amount of high-power WIFI data / Monthly flat rate

    Advantages of the New Behringer App (temporary name): Intermediate performance Router / Entry-level Smart Phone support available

    Basic output WIFI data amount / Calculation of reasonable monthly fixed amount for users

    Development and sales of PC-only and WIFI Router combined (small-scale) models

    There are additional materials reviewed and analyzed to make this proposal, and ideas related to Line Up that will be upgraded in the future from

    this proposal model are also being prepared.

    Please review the contents first, and if you need interest or discussion about my proposal, please message & call.

    thank you.

    [email protected]

    082-10-2780-1587

    H.K.Oh (Hong Kyun Oh)

    read more...
    0 162
    • rockbill01
      NicJonesMT thank you for your suggestion.
      Please directly send this to our solutions team at the following address:

      [email protected] (for products like synthesizers, guitar pedals, studio and portable live gear)
      [email protected] (for enterprise products like live and tour sound as well as installed sound products)
      • August 28, 2021
    • rockbill01
      rockbill01

      dear NicJonesMT

      I think it will be of great help for me to reply to the email where I can directly discuss with the person in charge on weekends and holidays.
      I hope you have a great weekend.

      thank you.

      H.K.Oh

      • August 28, 2021
    • rockbill01
      rockbill01

      Hello..

      I tried to contact you at the email address you gave me before, but it is confirmed that no one has read it yet.

      I'm not sure, but it seems that mail from Korea is treated as spam.

      First to [email protected], then to [email protected] and then to [email protected]

      May I know if the person in charge of that email address has read my email?

      The process is not smooth and I am not comfortable.
      Anyway, I'm sorry, but please try again.

      thank you.

      H.K.Oh

      • August 30, 2021
  • New
    FWCC
    Newcomer - Level 1
    2021-08-19

    MY FLOOR MONITORS WENT OUT AND I CAN'T GET A HOLD OF ANYONE.. THIS IS VERY STRESSFUL

    0 38
    • FWCC
      Dale_M Hi there, have you submitted a technical support ticket? The Support tab is at the top.
      • August 19, 2021
  • New
    leovox32
    Newcomer - Level 1
    2021-08-12

    Hello,

    I recently bought Behringer pm1s to use in my live shows.
    I had already bought some pm2 which I was fully satisfied with.

    Using the pm1, the audio signal is reproduced in one headphone only. I looked for a selector to transform the signal from mono to stereo and vice versa (like the selector present inside the pm2) but I could not find it.

    How do I listen to the mono input signal on both headphones?

    Thank you

    read more...
    0 126
    • leovox32
      Paul_Vannatto Are you trying to get a mono XLR output of a digital mixer, such as the XR18 or X32 to feed your PM1? If so, the only way to get it to work is to make a custom XLR cable.

      On the one end (XLR-F) that plugs into the mixer, use only pins 1 and 2 of the XLR-F plug (remove anything from pin 3). On the other end (XLR-M), remove anything from pin 3, then jumper pins 2 and 3 of the XLR-M plug.
      • August 11, 2021
  • New
    BobDaley
    Newcomer - Level 1
    2021-07-26

    Hi. Just bought 2 B105D monitors (still waiting fir the mic stand mounts). 

     

    I am plugging this into my Behringer X2442 PA for a monitor, through the main in and subs on my PA , and it is terrible.

    crackly sound, sounds distorted, no real volume. Who can help me walk through this issue?

     

    thansk in advance 

    read more...
    0 48
  • New
    GregWarren
    Contributor - Level 3
    2021-07-19

    I have 6 DP48s and they've been rock solid until last Sunday when we used them. I had some completely drop all signal coming into them. It seemed like 1 worked and the rest dropped out. They eventually reconnected but that's a no-go when you're using a click track. Suggestions?

     

    My signal chain: Midas M32>AES50B>DP48>DP48>DP48>DP48>DP48>DP48

    read more...
    0 67
    • GregWarren
      GregWarren I did some digging around and found that my firmware was woefully behind on the dp48s. It was 1.5 and I updated to 2.2. My 2 DL16s were 2.4 and I update to 2.5 and my Midas M32 is 4.02 so I think we're good there. I will have practice Wednesday and update if I have more signal loss.
      • July 19, 2021
    • GregWarren
      Paul_Vannatto Hey Greg, are you using proper AES50 cable (shielded with ethercon ends)?
      • July 19, 2021
      • Dropout on DP48
        GregWarren I'm running shielded cable but it's not ethercon.
        • July 20, 2021
    • GregWarren
      Paul_Vannatto Hey Greg, Brian Wynn proved to us (back in 2013) that the ethercon ends are very important in shielding the cable from ESD (electrostatic discharge) which results in AES50 dropouts. So if you have low humidity, this may be the source to your dropouts.
      • July 21, 2021
  • New
    JeffGastineau
    Contributor - Level 2
    2021-07-10

    Is there a description (or video) of the AES50 RETURN Routing from the DP48? I'm not sure what is coming back and how those signals are assigned, especially with multiple DP48. I would like the DP48 to provide wireless IEM mixes that are transmitted at the Stage Box Rack.

    My configuration is M32 AES-B > DP48 > DP48 >  DP48

    M32 XLR outs 1-8 to IEM transmitters

     

    Thanks

    read more...
    0 139
    • JeffGastineau
      Paul_Vannatto Hi Jeff, in each bank of 8 (per DP48), the signals are:
      1 - Mix A Left
      2 - Mix A Right
      3 - Mix B Left
      4 - Mix B Right
      5 - Ambient mic
      6 - Not Used
      7 - Line In Left
      8 - Line In Right

      This is where the Hub4 makes it much simpler to setup for wireless IEM. It can be configured to output the Mix A and B of each of the 4 DP48 that are connected to outputs on the back of the Hub4. It also provides POE and talkback (using the DP48 internal mic - press and hold).
      • July 10, 2021
  • New
    Johnnyh64
    Newcomer - Level 1
    2021-07-02

    Want to purchase a Midas DP48 monitor system because our band uses the M32r.  However, personally I also own a Behringer XR18 that uses Ultranet instead of AES.  I see in the marketing info that it says that the DP48 works with all Midas and Behringer digital mixers, being that the XR18 is a Behringer digital mixer, I wonder if this is true.  Does anybody have a definite answer to this question as I'd love to use the DP48 with my Behringer XR18 as well.  Thank you!

    read more...
    0 566
    • Johnnyh64
      Paul_Vannatto No the DP48 does not work with the X-Air or M-Air consoles, since they do not have the AES50 (which the DP48 requires)
      • July 2, 2021
  • New
    MikeWazowski
    Newcomer - Level 1
    2021-06-18

    I can send a Source from anywhere to one of the AES50 C 48 Channels. 

    I would really like to send a processed channel, so for my vocals they might want to have how the console if processing their voice, so EQ, Compression, maybe ever like than8329 asked for Mutes to work.

    Currently for my Pastor / Leader Mics I need to send these through a mixbus so that they are muted in songs otherwise the Musicans will hear them singing which can sometimes be 'interesting'.

    I would hate to take up all the Mix Busses to be able to send processed channels to the DP48's

    read more...
    0 45
    • MikeWazowski
      Paul_Vannatto Use the User In patch screen. Assign the Pastor's mic to a User In (post fader) channel. Then assign the User In channel to the AES50 output for the DdP48
      • June 18, 2021
  • New
    AndyLanham
    Newcomer - Level 1
    2021-06-17

    I am trying to put effects into my vocal mics on my P16 in ear system. There doesn't seem to be a way to do it as a mix with channel out. Any help would be appreciated.

    1 470
    • AndyLanham
      Paul_Vannatto Hi Andy, which console are you using with the P16? Instructions for sending FX to P16 differs between consoles.
      • June 17, 2021
      • p16 effects
        DanO1963 Paul, I have the same question basically. Im using an X18 mixer, and 5 of the P16M, so I really have 2 questions. 1 can I get effects in the P16? secondly which is really a FOH effects question. What are the best effects to use p
        • August 21, 2021
      • p16 effects
        DanO1963 And what are the effect settings?
        • August 21, 2021
    • AndyLanham
      AndyLanham

      x32

      • June 18, 2021
    • AndyLanham
      Paul_Vannatto On the Routing, Ultranet (or P16) screen, assign the appropriate FX return, such as the FX1L and FX1R for the first FX return (wet signal).
      • June 19, 2021
      • p16 effects
        AndyLanham yes but that makes it all effects with no main and doesnt sound good. delays have a mix option but not halls or chamber reverbs.
        • June 19, 2021
      • p16 effects
        AndyLanham thanks for responding btw
        • June 19, 2021
    • AndyLanham
      Paul_Vannatto You could setup one of the FX slots just for the P16, simply by disabling the FX return, Main LR. That way you can send to that FX the way you want it to sound in the P16.

      Yes that is correct that all reverbs do not have mix options in the X-Air/M-Air as well as the X32/M32.
      • June 19, 2021
  • New
    ecfsanjose
    Newcomer - Level 2
    2021-06-17

    On WING + DL32, how many DP48s can be daisy chained without issue? I could use the second AES port  off the WING or the through connection from the DL32 stagebox.

    Thanks

    Matheos

    0 71
    • ecfsanjose
      Paul_Vannatto I think the answer is the same as to how many P16 can be daisy chained - we're not sure.
      • June 17, 2021
    • ecfsanjose
      DavidKnighton Hello ecfsanjose,
      I'm not sure if there is an exact number, but I know at some point there was a class full of X32/M32 that were all daisy chained, between 30-40 mixer without issue. That being said, you should probably make use of a HUB4, because 1 bad cable link can disrupt the whole AES50 stream. A HUB4 will distribute up to 4 separate streams for better management.
      • June 17, 2021
    • ecfsanjose
      ecfsanjose Thanks Paul, David
      • June 17, 2021
    • ecfsanjose
      joshtew Do note that talkback function doesn't work between daisy chained DP48s.
      • July 7, 2021
Go to page