Hi, I have bought a PS1 Powersoak. It's all good but if I run my Vox NT50 flat out into it with a 2x12 cab attached, even with the powersoak set to the lowest volume, it's still too load to play in my flat late at night.

So, is it safe to use it without the speaker attached and the soak volume set to a little more than the lowest, then I can use the line out into a mixer & use headphones. I say, little more than lowest becuase the line out is wierdly controlled by the large soak volume wheel, so when that's set to lowest, virtually nothing comes through the line out apart from hiss & hum.

The manual is quite ambiguous on this.

I've heard alot about the issues with Marshalls Mode Four MF350, where something to do with grounding destroys the amp..

i'm not sure technically what this means but I want to know if this has anything to do with the ground lift and do i use it or not. is there any other issues with using the MF350 Emulated Line Out through the DI4000 to my mixing desk?

specs. i think are relevant?

MF350 Emulated Line out:

level: -10dBV | recommends connecting to inputs of impedance >20㏀

PreSonus StudioLive 16.4.2

Line Inputs:-

Input Impedance: 10 kΩ
Maximum Input level (unity gain): +22 dBu

I need connect mixer through Radial Catapult to another mixer nd connect to mic input. According to Radial Engeeniring I as I use RX4M as output all signal should be Mic Level.

Is this DI Box Behringer DI100 Ultra-DI will transform Line Level Signal from mixer to Mic Level (as attenuation is +48dBu)? If not would you recomend abother one?

Hello Folks,

Has anyone tried Reamping with a DI Box by using it in Reverse?

1. You take a 1/4" balanced TRS cable out from any output of the UR-44 and insert it into rear panel of your DI Box Output via an XLR Female to 1/4" female. (Mine is a Behringer DI-100.
2. Then on the Front of the DI Box connect a 1/4" TRS balanced cable from the Input to the input of the first pedal in the pedal chain.
3. Then a TS unbalanced cable from output of the last pedal in your pedal chain into a Hi-Z input on the UR-44 (1 or 2) ?

https://mediadl.musictribe.com/media/PLM/data//images/products/P0062/515Wx515H/DI100_P0062_Other1_B.png
https://mediadl.musictribe.com/media/PLM/data//images/products/P0062/515Wx515H/DI100_P0062_Other1_B.png
https://mediadl.musictribe.com/media/sys_master/h4c/h48/8850060607518.pdf

ULTRA-DI PRO DI4800A
http://bit.ly/Behringer-DI4800A

Gives you first-class DI channels in a single rack space. Each channel is equipped with one input (XLR or ¼” TRS) and two XLR Outputs at the front and back to connect to your amp or monitor console allowing for 8 outputs in all.

#Behringer #DI4800A #Active #DIBox #DirectInjection #Booster #LineIsolator

Hi,

I'm new to this forum so apologies if this has been dealt with before.  I record guitar, keyboards and vocals at home using a Focusrite Scarlett 2i2 USB interface to pc DAW.  Until recently I have done all vocals using a mic through a Yamaha keyboard as a pre-amp, straight to the interface.  I wanted to get the keyboard out of that chain but found that a mic directly into the interface was short on gain and dynamics.  Saw on another site the benefits of a DI box, so purchased an Ultra D1 and also a condenser mic.  
When I connected the condenser mic to Di box to interface, I had no signal to the DAW, regardless of whether I had the interface phantom power switched on or not.  No combination of attenuation switches, monitor switches or any other settings on the interface, Di Box or DAW could produce a signal.  However, if I take the Di Box out of the chain so the mic is directly into the interface, it all works but is lacking in the dynamics I was hoping the Di Box would boost.
My guess is this is all about phantom power somehow because a dynamic mic will work via the Di Box and interface albeit just passes through.  
Anyone able to advise, should a Di Box work with a condenser mic under those circumstances or am I wasting my time?  
Have stuck a couple of pics up to assist.
Cheers,
Bob