Newbie here. I have friend with an older "Quintet" harmonizer that is improperly identifying the MIDI chords that a Kronos keyboard is playing. The Quintet is in "chord" mode, and according to the manual it should be identifying the notes and chords played by the keyboard that is plugged-into the MIDI in on the Quintet. The screen displays the wrong chords. Anybody got any ideas as to what might be going on? 

Hi there,

This is my first post so please be gentle!

I have the Behringer preamp above and am having trouble using the gain and level knobs. I don't understand the difference in function and where they should be set in relation to one another to get a decent sound out of my condenser mic.

I've been experimenting for months now trying to get the settings right to no avail. My main issue is that when the settings are too low, I'm not getting enough volume from my vocal but when the settings are higher, the vocal is clipping. I just can't seem to find the sweet spot. 

I wonder if anyone could shed any light or suggest anything?

I've had my VL3 a year or so now.  As far as voice goes it's brilliant.  However, I play 3 acoustic instruments in a live gig: 6 string, 12 string and a bazouki. I've figured out I need an off board input controller to adjust the input signals from three into the VL3. Now I just need to be able to step on the program pedal and know that all the basic tone, reverb etc is correct for the instrument I am playing. I Can get it right for one. How do I get it right for all three.

Hi TC Helicon Developers,

I have been using the Play Acoustic for quite a few years now and am finding I have need of more from it.

Here is the challenge I put to you. Come up with a new, closer to fully digital version of the PA.

The problem I have is trying to adjust settings from behind the mic, guitar and PA. I need to be able to hear what the audience is going to hear to make those adjustments confidently. So what I envisage is the PA being able to connect wirelessly to either a phone or tablet (android), or laptop or tablet, (windows). So I can record myself on the looper, then go out into the venue connected to the tablet and be able to make all the changes to settings there. I would like the settings to be more advanced and more user friendly like the way they are generally displayed and adjusted in a daw. In paticular EQ, Comp, Gate.

Would be awesome if you could build it!

Does anyone know of anything like this already on the market?

Cheers, Ken.

I have one of the first TC Helicon Play Acoustic you could get in the USA. So new, in fact, they didn't even label the buttons correctly! That said, it hit the ground running with me and has made this working musician thousands of dollars. I've loved it's simplicity (I ditchted the mixing board for it!). I don't use nearly all the features. In fact, I only use it to route and sweeten me and my guitar. It has been a workhorse and has never let me down. Lately though, towards the end of the night, I swear it starts adding a bit of far off background vocals to the signal. At first, I thought it was patrons singing along, then I notice no one is singing. I've had a few folks ask me about it and frankly I am a bit puzzled. See, I don't use any of the harmony capabilities of this unit. Just straight up guitar, with some body rez and a little reverb on the voice. That is all. So... I wondered if anyone else has ever noticed any mysterious "voices" in the output of their Acoustic Play? It is very subtle. Just enough to make me question my sanity. Anyone?

I bought a TC Helicon Harmony G-XT a few months ago.  During my last recording sessions it worked fine.  After writing new songs to record I hooked up the rig and now signal from the microhone to the mixer.  I thought it might be the guitar needed to be hooked up to activate the mic.  The guitar plays through to the mixer, but still no mic. 

Is there some setting that I am missing that is keeping the mic from working?  Does the mic input just stop working?  I have replaced both XLR cables with new ones and still no signal to the mixer.  What am I missing?

The mimiq is fantastic with a mono input and stereo output to two separate amps.  Love it.    But I have a truly stereo pedal board.  For example, I have a Flashback II stereo delay and a stereo chorus before the Mimiq.  If I have a nice ping pong delay or a lush stereo chorus heading into the mimiq in stereo, the effects get mashed up and lost in the Mimiq.  What are the best recommendations for using stereo inputs to the mimiq?  How is it supposed to work - ie - what's the purpose served by stereo inputs.  Am I missing something? Should I focus on keeping it in the mono chain before the stereo effects? 

I have inputted a few times care tickets for a problem with my tube mic Behringer.  However, It has come to my attention that my Hotmail account is not picking up Behringers responses, nor is it showing up in my junk folder. I posted this problem question a few weeks ago, but I could not find the response post, nor did anyone get back to me as far as I know. Suppose I open another behringer account with a new email. Can someone transfer over all my equipment registrations, so they are not lost? I would like confirmation of how my mic tube preamp problem should be handled, please. Thank you.