Automatic room calibration with X-Air-Edit and the ECM8000 mic

I am a user and fan of the Behringer XR16 console, as well as its products. And I would love to have an option to send pink noise from the console and be able to perform calibrations with the ECM8000 microphone. If this calibration were automatic, Behringer could add immense value to this product.

Is such an update possible in this product?

Hola, a ver si pudierais echarme una mano.
He adquirido hace poco una controladora x-touch, tengo desde hace tiempo la xr18 y quisiera conectarlas para mezclar pequeños shows en vivo, seguí todos los pasos de distintos videos e hilos de blogs donde se explica como hacer la conexión, he actualizado a la ultima version de firmware de la x-touch, tambien he actualizado el firmware de la xr18 he utilizado distintos cables ethernet, y no hay manera, nunca consigo pasar del "scan..." no se por que motivo, la x-touch no encuentra la xr18, debe ser algun problema mio, porque no entiendo mucho de este tipo de conexiones, pero me gustaria que alguien me ayudara. He hecho la inversion para pasar de trabajar en analogico a trabajar en digital, y así poder ofrecer un mejor sonido y soluciones a los artistas, y ahora me parece que es para mi gusto demasiado complicado. 

Needing support on if it's possible prevent a Stereo Bus Mix of Aux Inputs routed to an AES50 Output (DP48 mix) from being muted when the DCA that has  those aux channels assigned is muted?

I’d like for the Bus Mix to not be muted in the in ear monitoring system —DP48, when the DCA that is controlling the aux channels is muted.

I have it set to Pre. And I am noticing on the newest firmware update that the “Follow Mute” and “Always buttons” are no longer in place.

Any assistance would be greatly appreciated.  Thanks!

I am in the process of filing a formal complaint with The Better Business Bureau against Music Tribe. I am sharing this experience with all who will listen as a result of being disregarded by this company, in the hopes of helping customers know what to expect when dealing with repairs and warranties:

Case Escalation | CAS-149861-F7V8G8

I ordered what turned out to be a defective IP3000 from Musictribe through ebay. It took months of forms, documenting videos of the defect, multiple emails to Alexander Lane and Musician Specialist Chad Saylor, and forum posts right here before I was given a "repair number". I then had to drive this massive unit over 2 and a half hours to a repair facility in Irvine CA, only to be told they were backed up for months, and that Music Tribe had left them with several of these units and that they were baffled by Music Tribe's lack of communication as well.

Many emails, calls, and forum posts later, I finally got the unit sent to the "Las Vegas Repair Facility", and a couple of weeks later it was delivered to me, and I unboxed it to find the subwoofer literally beat up, all four corners damaged. It proved functional... for two shows, then, no sound.

I have been fired from two venues as a result of the unit failing twice in mid-performance, and have lost thousands of dollars in wages as a result of cancelled gigs due to not having a functional PA, because of this endless bureaucratic nonsense and completely shoddy repair work.

Now, multiple emails & forum posts later, and I have received NO RESPONSE from Music Tribe.

This has been a devastating & disheartening experience with Music Tribe.

I should not have to go through this horrible repair process anymore, for what is obviously a completely defective IP3000. The only way this gets resolved at this point is sending me a new IP3000 and a massive apology. As for the lost wages, stress, and embarrassment I've been put through... well, there it is.

To Musictribe: I would appreciate being contacted in person at this point. Not holding my breath, but do the right thing.

Greg Erba (323)385-6184

I am in the process of filing a formal complaint with The Better Business Bureau against Music Tribe. I am sharing this experience with all who will listen as a result of being disregarded by this company, in the hopes of helping customers know what to expect when dealing with repairs and warranties:

Case Escalation | CAS-149861-F7V8G8

I ordered what turned out to be a defective IP3000 from Musictribe through ebay. It took months of forms, documenting videos of the defect, multiple emails to Alexander Lane and Musician Specialist Chad Saylor, and forum posts right here before I was given a "repair number". I then had to drive this massive unit over 2 and a half hours to a repair facility in Irvine CA, only to be told they were backed up for months, and that Music Tribe had left them with several of these units and that they were baffled by Music Tribe's lack of communication as well.

Many emails, calls, and forum posts later, I finally got the unit sent to the "Las Vegas Repair Facility", and a couple of weeks later it was delivered to me, and I unboxed it to find the subwoofer literally beat up, all four corners damaged. It proved functional... for two shows, then, no sound.

I have been fired from two venues as a result of the unit failing twice in mid-performance, and have lost thousands of dollars in wages as a result of cancelled gigs due to not having a functional PA, because of this endless bureaucratic nonsense and completely shoddy repair work.

Now, multiple emails & forum posts later, and I have received NO RESPONSE from Music Tribe.

This has been a devastating & disheartening experience with Music Tribe.

I should not have to go through this horrible repair process anymore, for what is obviously a completely defective IP3000. The only way this gets resolved at this point is sending me a new IP3000 and a massive apology. As for the lost wages, stress, and embarrassment I've been put through... well, there it is.

To Musictribe: I would appreciate being contacted in person at this point. Not holding my breath, but do the right thing.

Greg Erba (323)385-6184

Good day to you all.

I work as a sound engineer for a band and we have recently started using an M32 for FOH and linking it to an M32c /DL32 onstage for them to handle all their Monitors with their own ipads. this gives us total independance of the eq and compression for each channel between FOH and Stage duties.

For ease of their rehearslas where they do not need the FOH setup we have made the M32C be the controller of the Head amps.

So the DL32 links to their M32C AES PortA to Port A ... from the Port B of M32 C we link theat (At Gigs) to the AESPort A on the FOH desk.

The probalem I am getting is sending anything back to the stage via the AES cable ...Generally I want to send Main L and R plus a talkback and one Mono Sound Effects channel for intro playback and cues throughout the gig... so far I have always had to do this with XLR Analogue returns which can be difficult as some gigs we do now only have AES calbing installed so tradtional multicores have disappeared.

Is there a sure fire way of doing this via the AES Ports...? DO I need to wire it all differently? or can it be done with cafeful advised software routing. I have looked online for this scenario and watche countless youtube videos but I am not getting any closer to discovering how to do this.

The band use 28 channels onstage for their setup so there are 4 spare channels but not a block of 8 channels I can dedicate for return paths and that is probebly where I am getting lost... We have both M32 and M32C on same firmare 4.06

Thanks in advance for any help

Rob Aubrey

I remember the good ole days when one could actually communicate with technicians, even sales people that understood products and the nuances of programming, maintaining and training on expensive sophiticated musicial equipment. PRODUCT SUPPORT I think we called  it...the days when one could find a PHONE number and call other fellow musicians/ technicianns when you had a piece of gear that your performance depended on and you had to get it figured out before show time. 

NOW? it took me 3 days to get this ability to write myself an email on this "application" designed to do...what? There are no phone support numbers? I do a search for "VL3X Repair"...no results/'VoiceLive 3 repair"...no results. 

I've enjoyed some of the groovy YT vids and that's awesome but I have a piece gear that needs NON warrenty repair and I need a contact to send it to. What are the chances that this lowly cry out in the cyber-darkness will be addressed by a competent professional that can share the answer to this question that it appears I alone in this tribe of musicians have a need for. [email protected]

Hi! 

I own a xr12 and a xr18, most of the time, I use the xr12 for live applications.

Sometimes, I have wifi disconnected, so I put a router, but, when there's to much people around, we have troubles with wifi, I assumed it is because of cellphones. So, I'm looking for  physical extensions that allows me to open, close or edit the eq of a track with real buttons. I try to have the smallest unit possible to do that, so, can you tell whar are the different products that allows me to do that, so I can choose the perfect one please!

Thanks