This will be a basic live sound reinforcement gig with a separate mix for the livestream using one (or a linked pair) of aux busses sent back to the Card (USB).
Treat the incoming audio stream as another source to be mixed in the live show.
The live stream usually need a seperate mix to account for live instruments not being present in the room that receives the stream (Acoustics instruments).
The essential parts needed to send the stream mix to USB 1 & 2 depend on how your board is configured and used. I don't suppose you want to sacrifice a pair of wedges for the livestream since you ought to have room to do both. If you can upload your latest scene file, we can look at it and further advise.
Here are (older) instructions for saving/uploading a scene. https://behringerwiki.musictribe.com/index.php?title=Uploading_files_to_the_forum
Upload by Choose File at the bottom of the window.
First time posting here.
Can I setup the XLR outputs independant of the stage box outputs?
Setup is FOH M32 AES50-A --> DL32 AES50-A at stage/amp room. FOH M32 AES50-B --> M32C AES50-A LiveStream Broadcast mix.
I have 6 IEMs being sent from FOH, 3 wedge mixes off the DL32, and the Mains off the AES/EBU 15/16 on the DL32.
Can I take over the FOH M32 XLR outputs for the M32C LiveStream mix? They are currently on the Aux outputs.
The other question: can I make the DL32 outputs independent of the FOH outputs.
It seems like this all should be doable under the User Outputs. When I have tried a few different options I loose the mixbuss outputs on the DL32. It may not be an issue just having it all duplicating, just annoying that I can't get my head wrapped around it.
Thanks
Patrick
Hi Patrick @Mulmany ,
Welcome to the forum. The FOH M32 XLR outputs are assigned signals on the Routing, XLR Out (in banks of 4). With your current interconnectivity mapping that you have provided, the DL32 outputs are assigned signals on the Routing, AES50 A1-8 and A9-16 (in banks of 8). The Out 1-16, Aux Out and Ultranet screens are used to assign individual outputs to make up these banks of 4 or 8. With the new firmware (4.x) you can also use the new User In and User Out to make up these banks as well.
Just to add a little bit to this, Yes they can be separate. As @Paul_Vannatto said the xlr outs of the foh m32 would be routed in the 'Xlr out' menu. If you want to use them for the m32c mixes, you would use aes50b 1-4/5-8/9-12/13-16 as the output selections for xlr out. Send the proper mixes from the M32c in the usual way, most likely using its 'out 1-16' menu for the M32c aes50a outputs 1-8 and 9-16.
You then use the FOH M32 aes50a out menu to dictate the DL32 outputs which can be the same or totally different than the aes50b selections used in the XLR out menu. They can be direct outs of ch's or mix buses derived on the FOH desk, probably just what you have set now will be fine.
Good morning,
Is there a way to have compression and effects on a stereo subgroup?
@kennythor wrote:
Good morning,
Is there a way to have compression and effects on a stereo subgroup?
Yes, since a stereo subgroup is a stereo linked mixbus pair and should have all processing available including compression. For effects, simply send the desired FX returns (also stereo linked pairs) to that subgroup.
Hello. I have 2 questions for you, sorry if I couldn't find the answer in my search.
1). I am new to live streaming, but have been using the X32 in my church since 2013. I have setup my X32 to have a Stereo bus that is setup as a recording bus. I want to send this stereo bus (8 & 9) via the X32's X-UF card to my OBS software which is on Windows 10. I'd like to be able to send this bus from the X32 WITH the effects, ie, reverb, EQ and other effects that I have on the channels. Is it possible to do this? If so, could you tell me how?
2). Secondly, I can't seem to get the sound from the X-UF card to come into my PC running OBS. I have an audio input setup in OBS, and I have the Behringer X-UF In for channels 1 & 2 selected, but when I record with OBS I don't see the audio coming in when I look at the recording level meter for the Behringer input. The X-UF card works just fine when I am using it for a totally different purpose, which is to record 32 channels of audio using Ableton Live 10. But I would much rather instead of using Ableton Live to have audio mastering on the worship use a stereo bus with effects so that I don't have so much post production work to do. The X32 is setup using a USER out from a matrix. I am running 4.02 firmware. Could someone please help with getting sound in, and with that sound having the effects?
Thanks so much everyone!
Bart
You can add FX returns to the stereo recording bus pair. Select the first (left) bus and use the Sends-on-Fader function with the FX layer to access the FX Return sends. Use the same signal-tap for these sends as you have for the channel sends to the recording bus pair.
If you are running a recent version of Windows 10, it may be blocking the WASAPI (Windows sound) interface. Check on Settings -> Privacy -> Microphone that access by OBS is permitted. The setting affects all WASAPI audio inputs to Windows and many apps.
If you can record using the ASIO interface, you could install the ASIO for OBS plugin so OBS can take its sound source from any of the USB channels.
I have a 70 volt system I want to go through a mono matrix how do i set it up to be pre master Fade?
Hello Scott, welcome to the community.
You would set a pre-fader send from both Main L and Main R to a single Matrix. Then route the Matrix to an appropriate output.
If you need help with this, export your current scene and attach the .scn file to your post (see Choose File button below). Or, if you use X32 Edit, we could show you the settings.
I'm still trying to get away from taking my live stream audio from the headphone monitor out, but I cannot get enough time one the board in a non-live situation to try to correct this. Currently, someone before me used a 1/4 inch to dual RCA to quick-and-dirty get some audio output into the live stream box (StreamSpot One).
I'm using X32-Edit to try to learn the board. I've created a scene that I believe might be at least one way to get the Main L/R mix sent to the Aux 5&6 RCA jacks which would allow me to move there. Would someone be willing to take a look at this scene and tell me if it might do what I think it will do?
As a side note, many have already mentioned that with live drums and/or amps, this might not be best as the output migth be vocal heavy - however - we use electronic drums and DI boxes (rather than amps) on instruments, so I don't think this will be an issue.
LS-wAUX5-6-out.scn
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