Hello,
I'm a RF engineer with an audio problem.
I have an old system that I'm trying to interface with that has a 0-60KHz baseband that I need to capture and play out in real-time. It looks like the Line In/Out on the UMC202HD will do the trick pretty handily at the 192KHz sample rate. The mux has a 135 Ohm interface.
Can any of you audiofiles tell me what the impedance is on the UMC202HD line in/out connections so that I can build the matching circuit?
Also, can anyone confirm that the Line In/Out jacks will play and record up to 60 KHz of baseband simultaneously? I'm used to designing systems between 300 MHz and 20 GHz, so I'm a bit out of my element.
Thanks in advance!
--Joe
Can someone explain the difference between the MUTE on a Channel vs the MUTE on a DCA?
Here's why I ask: I have computer audio set on a pair of L/R channels that are on the second layer (channel 23 & 24). I decided that placing those on a DCA would give me quick access to them from the "top" (first) layer. I was successful in setting those up, but when testing, I noticed that when I muted the DCA, the computer audio was successfully muted from FOH (and other matrix out used for Livestream - I assume) BUT I was still hearing the audio in the vocal monitors (wedges) on stage.
Is there a way to create this DCA so that the mute will mute both FOH and Busses/Matrixes?
Thanks, Jim
So many glitches and mistakes in the code for this website..perhaps get your web designers to do. a debug and take some of the team from Music tribe through a user experience from login...
The hover buttons are not intuitive , they dont highlight to go forward..
So many hurdles that are unnecessary that stop a user from moving on to the next page..I couldn't even access the actual product i bought. It isnt even on the dropdown list at the end of product registration..
so I had to make one up to finish..Could at least ceate a form that the user can type in their product if the developers haven't updated the page for a long time. This site get's a B for BA for belowwwwww average. If this is the process for an artist to join the 'tribe'..stink one haha, I wonder how many artists were actually engaged to want to repeat this process again..You need to create a 'care ticket??' to register a product. Just use the language that already exists , it's ok, we understand it..A care ticket..I had to watch a video just to find out what a 'care ticket' was..Hope you can see the funny side in all of this cos I think it's pretty fricken funny, that a music tribe's online front of shop is actuually not creative at all..so weird
First time posting here.
Can I setup the XLR outputs independant of the stage box outputs?
Setup is FOH M32 AES50-A --> DL32 AES50-A at stage/amp room. FOH M32 AES50-B --> M32C AES50-A LiveStream Broadcast mix.
I have 6 IEMs being sent from FOH, 3 wedge mixes off the DL32, and the Mains off the AES/EBU 15/16 on the DL32.
Can I take over the FOH M32 XLR outputs for the M32C LiveStream mix? They are currently on the Aux outputs.
The other question: can I make the DL32 outputs independent of the FOH outputs.
It seems like this all should be doable under the User Outputs. When I have tried a few different options I loose the mixbuss outputs on the DL32. It may not be an issue just having it all duplicating, just annoying that I can't get my head wrapped around it.
Thanks
Patrick
Hi Patrick @Mulmany ,
Welcome to the forum. The FOH M32 XLR outputs are assigned signals on the Routing, XLR Out (in banks of 4). With your current interconnectivity mapping that you have provided, the DL32 outputs are assigned signals on the Routing, AES50 A1-8 and A9-16 (in banks of 8). The Out 1-16, Aux Out and Ultranet screens are used to assign individual outputs to make up these banks of 4 or 8. With the new firmware (4.x) you can also use the new User In and User Out to make up these banks as well.
Just to add a little bit to this, Yes they can be separate. As @Paul_Vannatto said the xlr outs of the foh m32 would be routed in the 'Xlr out' menu. If you want to use them for the m32c mixes, you would use aes50b 1-4/5-8/9-12/13-16 as the output selections for xlr out. Send the proper mixes from the M32c in the usual way, most likely using its 'out 1-16' menu for the M32c aes50a outputs 1-8 and 9-16.
You then use the FOH M32 aes50a out menu to dictate the DL32 outputs which can be the same or totally different than the aes50b selections used in the XLR out menu. They can be direct outs of ch's or mix buses derived on the FOH desk, probably just what you have set now will be fine.