Colleague shared with me this morning. Really good interview with Prodigy FOH Jon Burton. Old schools Midas and plenty of TC  

https://www.youtube.com/watch?time_continue=41&v=QEQikYi_y2g

Dear Team,

We are Hoang Bao Khoa, a distributor of Music Tribe in Vietnam. We are looking for spare parts of woofer which is diaphragm.

We know that your end sells woofer as a spare part. How about the diaphragm of woofer only?

As our customers send us their feedback about this. When their Turbosound speakers have problem with woofer, they need to change the whole woofer instead of its diaphragm part only. This makes the fee for repairing increase. Meantime, JBL brand offers the smaller components of woofer (as in the picture), which reducing the cost much.

Kindly advise if your end provide diaphragm as a spare part? Or any better suggestion?

Thanks

Diem

Hi,

i have a questin about using the card for a virtual soundcheck.  I am hoping someone knows a routing trick to be able to use Live Professor or Waves Mulitrack as part of the virtual soundcheck.  I just received my xlive card, but then had to leave town for a few days so I haven’t been able to trial anything.  I understand the routing from the card to the channels to do a virtual recording.  But I would like to be able to adjust the plugins based on the virtual sound playback.  I read that the USB port could be used for playback, and that the USB and SD card can be used at the same time, so hopefully that will mean I can route the “card outs” to the multi rack,  and the playback will come back to the channels if I select the card as the inputs?  Or can I somehow use the P16 ins and outs?  Virtually?   Any help would be great.  For playing live, I am set up to run through the mulitrack no problem with all the inputs going to the card, and all the channels receiving from the card coming back.  That works.  I just want to be able to hear the effects in the sound check.  We are a smaller band playing smalle venues, and I play bass and do sound from stage.  I am fortunate enough to play with a drummer using the Roland D-50 stuff, I run direct, keyboards direct, and just the guitar who has a small amp pointed at himself.  So for the most part, I am very much looking forward to the virtual sound checks.  And I thought I would try some of the awesome waves plugins as well.  

Thanks,

We have a very simple setup and I am a complete amateur.  I haven't been able to find a definitive answser for my question..

We have an XR18 mixer located in a room behind the pulpit.  We have ethernet cables connecting a workstation at the back of the church to run the sound - and it works well for us.  

We are wanting to get sound from the XR18 to the sound station at the back of the church to connect to a laptop with OBS and to record services. Plus we are considering an X-Touch for a little more tactile feeling for our volunteer sound people.

Is there an easy way to do this?  It's 50', so USB doesn't seem like a good idea.  Can a 50' Midi cable get sound to the back?  Will i need to get another long XLR cable and a sound card adapter?

I'm sure the answer is out there somewhere, but I haven't been able to find it..

Thanks!

Using an X32 in a church, the on-desk USB Socket for service recording is very useful!

Prior to the Covid-19 lockdown we simply needed the sermons to be uploaded to the church website, after processing to .mp3.

Now that something like "nearly-normal" services are being resumed, there are a number of members who, for various reasons, still feel uneasy about returning to church.  As a result the decision was made that the (already-shorter) complete service would be recorded and then uploaded to the website.

Al recordings prior to the lockdown, were "perfect" and only failed through operator-error, e.g. forgetting to Stop the recording before the console was switched off, so producing a 0 byte file! 

Since the resumption of services a problem has manifested itself: specifically, the recording stops, randomly, without any operator action or intervention and any file is reported as 0 bytes.  Sometimes this will happen once, e.g. last Sunday the recording was started deliberately early, within less than two minutes it had stopped, a subsequent restart  was initiated and the recording continued successfully to the end of the service.  On other occasions, e.g. the music group rehearsal last Thursday evening, there were at least three times when the recording stopped, each time with a 0 byte file.

I raised this as a support issue with Behringer, asking for suggestions to avoid this random stopping of the record process, only to receive a link to a page where the process to retrieve a 0 byte file is given.  I pointed out that I did not want that particular information, helpful as it might be, but guidance on how to avoid a full service recording being puctuated by gaps where the recording stopped and being dependent on the operator noticing the stop and immediately restarting the recording.

I have verified that this is not an issue with the particular USB Memory Sticks being used.  Both are 32 GB, different manufacturers and both have passed a soak test of writing test data to completely fill them and then verifying the recording by playing back and reading the data.  (I used a very usefull utility called "h2testw" for this.)

So, after a somewhat lengthy preamble (sorry about that): does anyone have any similar experience or advice to offer how this problem may be corrected and/or avoided?

TIA

Jeff