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  • dsweeney_tch
    Triber Moderator

    With an update in March of 2019, we've made it possible to select what inputs are included in the "Line Out" mix.

    This has a few different applications:

    - You can plug GoXLR into the streaming PC and not lose any functionality

    - You can use GoXLR with console chat

    If you have installed the GoXLR App, and Line Out is not an option in your routing table, follow these instructions:

    If you want to know how to set up GoXLR to use with console chat, see the diagrams in our Discord (

    Follow Us:




    Buy GoXLR:

    2 1,214
  • DavideVitussi
    Contributor - Level 1
    Hi to all,
    I'm sorry to complain about my new MS40 Near Field Monitors...
    At a first hearing the speakers are extremely clear and have a crystalline sound, but when I rise just a little the volume (let's say 1/4 , 1/3 of total) I hear a strong mechanical vibration on bass frequencies on the right speaker... more udible on the rear of the loudspeaker.
    The audition in headphone is instead perfect also with a loud volume...
    Very displeasing and unexpectable on a Behringer product (even if in the low price zone ).
    Can someone help me to solve the problem?

    Good bye to everyone
    0 474
  • Panhorama
    Contributor - Level 1


    I've had my M32R for the last 2 years, extremely satisifed of it. I know and understands the routing of the system, did many recordings directly in my DAW (Adobe Audition and Pro-Tools) without any issues. I've updated recently the Firmware to 3.11 unfortunatly since then, no audio is coming in either both DAW's software. My system is a MacPro Late 2013 on macOS Mojave. The systems and the DAW's recongnise the DN32-USB with it's 32 inputs and 32 outputs, but no signal from the M32R comes in. As for playback from my Daw's software, both are running great. MIDI controls work perfectly also. So here's the question, Am I missing something or maybe a configuration in the new Firmware. Please need held.


    0 294
    • Panhorama

      Did you also recently update the OS to Mojave? Apple has reset some of the Privacy/Security settings that, by default, turn off the inputs from any incoming mic or audio interface.

      • May 3, 2019
  • AlexMorrison
    Contributor - Level 2

    Hey guys,


    So I've got my X32 Rack + S16 fully functional now, and I can get everything to record just fine. My band and I rehearse and the levels are great in our mixes, ears, and mains, but the problem I'm having is that the inputs going to my DAW (Cubase 9) are all over the place when we record anything. I'm running a USB from the X32 card to my laptop.


    Is there a way to compensate for this other than setting the gain per channel or changing the fader levels in the DAW itself?


    Thanks y'all.

    0 79
    • AlexMorrison


      Hi Alex, the USB output levels can only be adjusted with the channel gains. This makes it possible to play the recorded tracks back through the mixer for a virtual sound check. You may need to check that the channel gains are set to give similar levels on the meters - and adjust faders/sends to compensate for any changes.

      • May 7, 2019
  • Ssgrumman
    Contributor - Level 3

    Sign in Join no
    Hit Refresh
    Uli Behringer Follow Music Tribe Leader
    122 18 1
    Dear Tribers,
    Today, I am addressing you with a very important message, a message that will affect all of us. Over the past months I have shared with you, why we need to become Customer Obsessed. (Obsession is the domination of oneʼs thoughts or feelings by a persistent idea, image or desire). Customer Obsession means that everything we do must be relevant to the Customers we chose to serve and also exceed their wants and needs.
    Over the past years we all have become complacent and frankly we lost our focus and purpose why we exist and come to work. Organizations who lose their customer purpose will cease to exist and we have seen many examples such as Nokia, Blackberry, Avaya, Kodak, etc. You know my favorite line: “Happiness comes from doing meaningful things for other people in return for appreciation and recognition.”
    Who Pays Our Salaries?
    When I ask this question, people quickly respond by saying: “Itʼs you, Uli”. Nothing could be further from the truth as I am only representing our Customers who are gracious enough to keep us alive by buying our products. My job is to re-distribute our Customersʼ money to you the Tribers by paying your wages and acquiring new Tribers, equipment, facilities as well as a new company from time to time.
    If we ever fail to deliver outstanding services, our Customers wonʼt buy our products anymore, money will dry out and we will cease to exist.
    Hit Refresh
    As the Music Tribe Leader I have an overall responsibility for our 4,000 Tribers and my only purpose is to ensure we as Music Tribe stay relevant and deliver incredible value to our
    Customers. If I cannot deliver this task, I will have failed our Customers and a better leader should take my place.
    Music Tribe is more important than myself and I am taking my given responsibility extremely seriously, a responsibility to create, retain and grow a Customer Obsessed organization where every Triber focuses on our Customers - every second of the day. Only if I can achieve this, I have fulfilled my role and responsibility and hence I will do everything in my power to deliver on this promise.
    Over the past 2 months I have done lots of soul searching by taking the time to truly reflect on the Music Tribeʼs Vision but also my personal Vision. I am very grateful for all the people who have helped me on this insightful journey and today I am proud to present the outcome – our Music Tribe Vision which you can find in our Academy. The Music Tribe Vision is a Customer Obsessed Vision where all our services surround the ONE person that truly matters – our Customer.
    Microsoftʼs CEO Satya Nadella wrote a book called “Hit Refresh”, a book which has greatly inspired me. It's a journey of a man who has applied his own values to an organization by defining and executing on a purpose; the purpose to serve Customers by truly empowering them. Look where Microsoft is today – within a short period of time, the company has done a complete turnaround and now become the worldʼs most valuable company.
    Like all of you, I am also reporting to our Customers who have empowered me to serve them. I am responsible to ensure that we all act in the spirit of our Customer Vision, which means only one thing – to deliver true value to the our Customer. Consistently and relentlessly.
    Think Slow – Act Fast
    With the Music Tribe Vision now in place, itʼs time to act fast and relentlessly. We will be 5/15/19, 5J36 PM Page 1 of 4


    what is going on. I can’t get service, warranty, nothing. Half the service centers no longer take Midas pro series if anything from the tribe!

    0 233
  • DanielLGaines
    Contributor - Level 2
    It would be great if they added a body pack that can be used with an instrument like a guitar, a lavalier or a headset mic. Personally would use the headset mic.
    0 175
  • Reiner-Groller
    Triber Contributor
  • aftermid
    Contributor - Level 2

    Hi Everyone,

      I recently got the M32 Live.  I am using the DAW remote for Pro tools 11.  If i move a fader on the M32 or in Pro Tools they mirror each other perfectly.  But that's about all I can do.  I tried something simple like panning a selected channel on the M32 and Pro Tools will not respond to this command.  I then went to encoder 1 bank A and it will do it for Channel one in PT, but encoder 2 will not do it for channel 2 in PT and on.  Even if that did work, I could only pan 12 channels on PT, since there are 3 bank sand 4 encoders on each.  Is there a way to pan PT from the M32?  It works for the faders, so PT must be getting the midi info.  I've tried all kinds of different routing options on the M32, but no panning.   I'd think this would be something pretty simple. 

    Also, for no apparent reason, sometimes  one or two of the faders on the M32 start twitching on their own.  Has anyone experienced this?

    Does anyone know how to use the panning as a controller for Pro Tools, without using the encoders?  I know it can be down on Logic X, you just have to put Logic in learn mode to learn the midi command being sent.

    Thanks for the Help



    0 605
    • aftermid

      Here goes.
      Hit the view button in the custom assign buttons then from the home tab switch to Set A - Select encoder 1 so its highlighted. then select target type "remote" so its highlighted then parameter 1 (that will then use encoder 1 to pan what ever track is in the position of the first channel coming up on your daw. You do this for the Set A of encoders, 1 2 3 4 which are the middle 4 encoders of the 6. Then go back to the assign view home page and select set B and set encoders 1 -4 again to 5 6 7 8.
      This gives you pan control of the currently selected 8 faders! OF corse this is not the way you would really want it as you would rather hit the select button on the channel and then turn the big pan knob to pan. Even tech support said there was no way to pan so I have to give myself a pat on the back! Maybe by digging some more there is a better way than this but now we know Remote parameter 1-8 is pan for daw remote.

      • June 7, 2019
    • aftermid


      Just wondered if you found any solution to the twitching issue.

      I've just set the m32 up with Pro Tools 2019.12 and fader 13/FX return 3 L/R are doing the twitching thing.

      Thanks for your post - it all helps!


      • February 18, 2020
  • BobHolland
    Contributor - Level 1
    Good Afternoon Folks,

    I work with a local dramatics group in a village where we do plays, pantomimes etc in the local hall.
    We have really big problems with feedback as I have to turn up the microphones to allow for "little" and "big" voices.

    I had my first opportunity to try the new equipment this weekend, and the feedback destroyer did a pretty good job finding and shutting down feedback, but virtually destroyed the music tracks I was using.

    Is there a way to configure the mixer to route the microphones via the feedback killer, but leave the music track alone / separate?

    Any help would be very much appreciated.


    0 124
  • TCH-Paula
    Triber Alumni


    Aaron tells us all about Go Guitar Pro and how to use it.

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