I have been using two SoF busses for a vocal buss and then an instrument buss with its compression side chained to the vocal buss to make room for the vocals when the vocals present themsleves in a busy mix. I also need 6 auxes as monitor mixes. It occurred to me today that I could repourpose two FX busses serve as the other two monitor mixes. I set it up in the GUI but haven't had time to test it out yet. I'm wondering of it would be better to use the FX busses as the vocal/inst busses and keep the native busses on monitor duty. Any suggestions?

Hello! I hope my question is easily answered.

I am using the Midas M32C along with the DL32 stage box. This rig functions as the “brain” of our live shows supplying our IEM system as well as giving a feed to FOH.

I have the Dante card installed in the M32C.

My issue is that the levels coming of of the Dante card to my DAW are extremely low and do not reflect the gain structure that we have established in M32C as show in M32 Edit. For example, I can see in the Midas software that I am getting a full signal anywhere from -6 to 0db, but when I look at what Dante is sending to my DAW, those numbers are averaging -30 to -20db. 

For my connections, I am going out of the primary port on the Dante card right into my laptop.

Can we assign what feeds the Dante card? Is there a layer of gain structure that I am missing here? Shouldn’t the Dante output reflect what the M32C is showing?

Thank you so much in advance for any help on this frustrating matter. It’s much appreciated!

Hi there, 

Just got the MR18 and we love it so far, but it is still new to us.  We control all of our monitor mixes, mostly wireless in-ear, a  powered monitor here and there.  Additionally we like to record our shows to logic, also a pretty easy and power process.  We are trying to figure out our options for when we are bring out our MR18 to a club or even that already has Sound.  We are pretty much maxed out on our Aux sends and can give the mix engineers the LR output, but that is limiting.  Additionally, we are also getting some push back to handing off our tablet and letting them mix the FOH via the app.  Most engineers like their own gear, understandably, and not everyone is on digital gear. So what can we do to get the house sound crew our indivual inputs but still use the MR18 to give us our monitor controls that we like and recordings like we have been making?  I was thinking of some sort of splitter of some sort to send out to any and all sound systems where they can get our inputs, and we can handle our monitors ourselves. But not even sure if they make such products.  Thanks in advance for the help! 

XLR Input 7 on my Midas M32R is suddenly showing a constant signal with nothing connected, pic attached. I updated to the latest firmware, did a factory reset, tried reseating the USB card, cleared every routing, etc. etc. Does anyone know what might be causing it and whether it's possible for me to fix it? Maybe opening the unit and cleaning it? Unfortunately it's out of warranty at this point. Any help greatly appreciated. 

Already a weird question, you might be saying. But, I have an M32C with an S32 and they work together PERFECTLY with every Ethernet cable that I have (I have a 150 foot, a 100 foot and a 20 foot). However, I bought a 3 foot one because the M32C and the S32 are in the same case together and it doesn't work (the units won't synch up with each other). I've returned the cable thinking it was defective, but the new one doesn't work, either. I know it sounds like a dumb question, but because all my others work and neither of the 3 foot ones work, it's making me ask if length has something to with it.. THANKS!!

Hi there, 

I am looking for a controler for my daw (live) and my m32c and i was wondering if any controller was compatible as the behringer x touch (who seems a little fragile) ? I think about qcon pro G2 or the mackie controler Universal. I Saw that the m32 work with mackie control or hui so i think there no problem, maybe its too hard to configure together ?

Thanks you for your help
Clément

I'm getting mixed information here, so it would be great if you could clear this up.  

Here is the configuration:

M32 for FOH (On-Site)  ----   PROVIDED BY VENUE

M32C and DL32 for Monitors (I carry in rack with IEMs)

What is the proper routing configuration for both the FOH and Monitor settings?  

The purpose is to walk in to any venue, and patch in the M32C/DL32 into existing system for IEM and artist control of IEM mixes.

I want to be able to simply plug in the AES to my rack, and provide monitors for my band.   I don't care about rerouting the outputs for mains or moving inputs to the DL-32 if possible.  If I had a 32 handy, i could figure it out, but I'm trying to prep this for someone else.

The information I have found is very confusing and contradicts itself many times.

Thanks in Advance.