TobiasDM wrote:
I made a spreadsheet on Google Docs, so we can share presets/patches...
I took the liberty to use graag49's patches as example of how to post your stuff.
Please follow some simple groundrules, so the spreadsheet don't get messy. They are in the sheet.
To view but not edit the spreadsheet, check it out here: http://spreadsheets.google.com/ccc?key=rhNLzOaDTrmEzBOatGXM00g
graag49 wrote:
I've been building patches & learning the ins/outs of my NV, so just thought I'd throw
some settings out for you to try. Here's a "platform" patch that would make a nice loop or background rhythm fill:
MOD...Tremolo Speed: 5.62 HZ Tempo:1/8 T Depth: 99%
Type: Hard Width: 39% Hi Cut: 15.8 k
_________________________________________________________________________
DELAY (Tape): 547 Tempo: 1/4 Clip: 0 db
Feedback: 28% Hi Cut: 12.6 k Lo Cut: 50.1
Mix: 31%
__________________________________________________________________________
PITCH (Octave) Direction: Down Range: 1 oct Mix: 20%
_________________________________________________________________________
DRIVE (Distortion) Gain: 12 Tone: 40%
Level: 10 db Boost: 7 db
__________________________________________________________________________
Those 4 footswitches are the only ones engaged, so it's truly a matter of personal taste how you can add and/or subtract from this basic patch. I'm just having lots of fun experimenting, so there you go.
Joe20 wrote:
"Wicked Game" as it sounds pretty much like the guitar used in this song:
SPRING REVERB
===========
Decay- 8.0s
PreDl- 100ms
Mix- 70%
Size- Huge
Color- Clear
Hi Fac- 0
LoCol- Tight
LoFac- 9
RoomL- 0
RevLe- (-6)
Diff- 0
Shape- Round
ViIBRATO
======
Speed- 0.841hz
Tempo- Disable
Depth-50%
HiCut-15.8k
I wrote:
And this is in a couple of other topics, but here's a Leslie simulation using the chorus:
Advanced Chorus
Speed: 5.15 Hz
Depth: 5%
HiCut: 10.0kHz
Cho DL: 50.0ms
Ratio: Off
PhaRev: On (stereo only)
(this is for the g system, so one or two of those parameters don't apply)
It sounds pretty good. I have the mix fairly low so that the effect isn't too overpowering.
Jawa wrote:
For anyone out there who is not familiar with EQ frequencies I am posting some links that you may find useful:
http://www.sirgalahad.org/paul/music/eq … tml#guitar
http://www.homemadehitshow.com/EQTips.htm
laird wrote:
Programming a parametric EQ takes LOTS of experimentation. That said, you can start with the following ranges.
Bass:
Center Frequency: 100 hz - 200 hz (I'd start about 150hz or so)
Width: about 1/2 - 1 octave
Treble:
Center Frequency: 5khz - 10khz (I'd start about 7khz)
Width: about 2 octaves
Mid:
Center Frequency: Anywhere from 250hz to 2.5khz, depending on the sound you want.
Width: 1-2 octaves
Running a narrow treble with a high center frequency can turn the treble into a "sizzle" control, which can be VERY cool.
I wrote:
I love the factory tap tremolo preset. Try playing around with it picking for each swell of the tremolo. Use an open string for a base drone and then pick out a melody / rhythm over that. Really cool effect. Sounds a bit like a synth because of the unnatural attack and decay of the note. Plus a ringing bass drone gets articulated in individual notes.
To add to that, give it a little overdrive to break up the tone a little bit. Then add a delay set to dotted 1/4. This will give the delay an offset from the tremolo effect. Then play a riff that times up with the tremolo, it ends up getting copied by the delay but offset after the next note in the riff.
Purusha wrote:
SD - Cubase 6 has just landed here too. I won't be able to test Powercore for a while though (got other urgent studio priorities).
If Cubase doesn't play nice, it may be worth looking at the work the "jbridge" guy has been doing. A wrapper might help if things don't work well...
Sean Fairchild;30320 wrote:
Dear Jim,
I don't believe the FCB1010's expression pedals have switches in/under them! I don't recall mine having anything but an optical sensor that sensed the travel of the foot pedal.
Sean Fairchild;30320 wrote:
When I had mine programmed for Wah, I always needed a separate on/off switch programmed for the effect itself, which then assigned the expression to the wah treadle position.
Sean Fairchild;30320 wrote:
So you may recall some different functionality than what is actually available, unless you somehow had programmed the wah effect to shutoff when the foot pedal reached a certain degree of travel, as a MIDI value.
We are using PowerCore in our Studios privately and we want to keep it that way. Therefor the PowerCore drivers are rebuild using latest software technologies and libraries, following all the changes required to keep PowerCore compatible with current operating systems.
We wanted to share that effort with the community but have to advice that this release is not maintained by TC. Please don't bother support if anything is not working! TC is not involved in any of the development anymore. TC kindly offered this place for sharing.
If you need to submit crash dumps, screen shots or any other files describing failures please do so solely to [email protected].
[list=*]
- OSX:
[list=*]- install logs at /var/log/install.log; uninstall logs at /var/log/powercore_uninstall.log
- kernel panic logs can be found at /Library/Logs/DiagnosticReports
- application crash logs at ~/Library/Logs/DiagnosticReports
- kernel logs at /var/log/kernel.log; 10.8+ kernel logs at /var/log/system.log
- Windows:
[list=*]- install logs can be found at \Windows\inf\setupapi.dev.log
- kernel crash dumps at \Windows\MiniDump
- application crash logs can be enabled by following Collecting User-Mode Dumps