TobiasDM wrote:

I made a spreadsheet on Google Docs, so we can share presets/patches...



I took the liberty to use graag49's patches as example of how to post your stuff.



Please follow some simple groundrules, so the spreadsheet don't get messy. They are in the sheet.



To view but not edit the spreadsheet, check it out here: http://spreadsheets.google.com/ccc?key=rhNLzOaDTrmEzBOatGXM00g

graag49 wrote:

I've been building patches & learning the ins/outs of my NV, so just thought I'd throw

some settings out for you to try. Here's a "platform" patch that would make a nice loop or background rhythm fill:



MOD...Tremolo Speed: 5.62 HZ Tempo:1/8 T Depth: 99%



Type: Hard Width: 39% Hi Cut: 15.8 k

_________________________________________________________________________



DELAY (Tape): 547 Tempo: 1/4 Clip: 0 db



Feedback: 28% Hi Cut: 12.6 k Lo Cut: 50.1



Mix: 31%

__________________________________________________________________________



PITCH (Octave) Direction: Down Range: 1 oct Mix: 20%

_________________________________________________________________________



DRIVE (Distortion) Gain: 12 Tone: 40%



Level: 10 db Boost: 7 db

__________________________________________________________________________



Those 4 footswitches are the only ones engaged, so it's truly a matter of personal taste how you can add and/or subtract from this basic patch. I'm just having lots of fun experimenting, so there you go.

Joe20 wrote:

"Wicked Game" as it sounds pretty much like the guitar used in this song:



SPRING REVERB

===========

Decay- 8.0s

PreDl- 100ms

Mix- 70%

Size- Huge

Color- Clear

Hi Fac- 0

LoCol- Tight

LoFac- 9

RoomL- 0

RevLe- (-6)

Diff- 0

Shape- Round



ViIBRATO

======



Speed- 0.841hz

Tempo- Disable

Depth-50%

HiCut-15.8k

I wrote:

And this is in a couple of other topics, but here's a Leslie simulation using the chorus:



Advanced Chorus

Speed: 5.15 Hz

Depth: 5%

HiCut: 10.0kHz

Cho DL: 50.0ms

Ratio: Off

PhaRev: On (stereo only)



(this is for the g system, so one or two of those parameters don't apply)



It sounds pretty good. I have the mix fairly low so that the effect isn't too overpowering.

Jawa wrote:

For anyone out there who is not familiar with EQ frequencies I am posting some links that you may find useful:



http://www.sirgalahad.org/paul/music/eq … tml#guitar

http://www.homemadehitshow.com/EQTips.htm

laird wrote:

Programming a parametric EQ takes LOTS of experimentation. That said, you can start with the following ranges.



Bass:

Center Frequency: 100 hz - 200 hz (I'd start about 150hz or so)

Width: about 1/2 - 1 octave

Treble:

Center Frequency: 5khz - 10khz (I'd start about 7khz)

Width: about 2 octaves

Mid:

Center Frequency: Anywhere from 250hz to 2.5khz, depending on the sound you want.

Width: 1-2 octaves



Running a narrow treble with a high center frequency can turn the treble into a "sizzle" control, which can be VERY cool.

I wrote:

I love the factory tap tremolo preset. Try playing around with it picking for each swell of the tremolo. Use an open string for a base drone and then pick out a melody / rhythm over that. Really cool effect. Sounds a bit like a synth because of the unnatural attack and decay of the note. Plus a ringing bass drone gets articulated in individual notes.



To add to that, give it a little overdrive to break up the tone a little bit. Then add a delay set to dotted 1/4. This will give the delay an offset from the tremolo effect. Then play a riff that times up with the tremolo, it ends up getting copied by the delay but offset after the next note in the riff.

Purusha wrote:

SD - Cubase 6 has just landed here too. I won't be able to test Powercore for a while though (got other urgent studio priorities).



If Cubase doesn't play nice, it may be worth looking at the work the "jbridge" guy has been doing. A wrapper might help if things don't work well...

Sean Fairchild;30320 wrote:

Dear Jim,



I don't believe the FCB1010's expression pedals have switches in/under them! I don't recall mine having anything but an optical sensor that sensed the travel of the foot pedal.

Sean Fairchild;30320 wrote:

When I had mine programmed for Wah, I always needed a separate on/off switch programmed for the effect itself, which then assigned the expression to the wah treadle position.

Sean Fairchild;30320 wrote:

So you may recall some different functionality than what is actually available, unless you somehow had programmed the wah effect to shutoff when the foot pedal reached a certain degree of travel, as a MIDI value.