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  • JohnMilner
    Super Contributor - Level 2
    2020-03-04

    iEQPro-Splash@552pxw.png

     

    Coming soon - iEQ Pro - which will allow Auto EQ of parametric EQs (as well as GEQs) in the M/X Air and M/X 32 series of consoles.  This App follows on from the other StrongSoft iEQ Apps, but will be able to Auto EQ the following consoles:  X Air, M Air, X32, M32 (and later, the WING).

    Demo video of Auto EQ to parametric EQ of an X Air console 

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    0 3,310
    • JohnMilner
      Paul_Vannatto

      This looks great John @JohnMilner. Glad to see that you are still active in supporting our beloved consoles with your apps.


       

      • March 4, 2020
    • JohnMilner
      JohnMilner

      iEQ Pro MX is now available in the App Store.  iEQ Pro Ultimate Bundle is pending approval - this is a means of upgrading from your existing iEQ App to a bundle which includes all the iEQ Apps - at a very reasonable upgrade price - will be available very soon!


      Get iEQ Pro MX in the App Store 


      iEQ Pro MX Demo Video 


      IEQ Pro MX in PEQ ModeIEQ Pro MX in PEQ Mode

      • March 25, 2020
  • Unkle1
    Contributor - Level 2
    2019-09-20

    I am wondering if I can use a Midas pro 1 and share stageboxes with a Behringer X32 and if so which stageboxes would work better the Midas or Behringer X32 ,thanks

    0 1,226
    • Unkle1
      ChaseMcKnight

      Hi @Unkle1 

      Short answer is: Yes it's possible to share signal -- though not directly.

      The PRO Series operates at 96kHz where the X/M32 series operates up to 48kHz. To bidirectionally share signal between the two formats you'll need a sample rate converter, which would be a Klark Teknik DN9650 and a KT-AES50 card installed. 

      You'd be able to connect the consoles together with the DN9650 in between. In an ideal world, you'd have the Pro1 connected to a PRO Series stage box (the Midas "blue" boxes) operating at 96kHz and then send that signal down-sampled to an X32 rather using a Behringer stage box and having the signal up-sampled to 96kHz. 


       

      • September 25, 2019
    • Unkle1
      Unkle1

      Not to disturb you but can you or do you have any video or manual information on how to properly set up (2) Midas dl153 stageboxes to Midas pro 1 if using as for monitors and Fog thanks 

      • October 21, 2019
    • Unkle1
      ChaseMcKnight

      Hi @Unkle1 

      I'm not sure if we have a video for this but I'd be happy to walk you through it. Essentually you just need to configure the AES50 ports on the Pro1 to tell it you have two DL153 I/O boxes connected then patch their inputs and outputs. Before anything else, you should probably run the firmware updater and make sure the console and the DL153s are on the same firmware. 

      Because of the many ways of configuring the DL153s to your specific requirements it may be easier for you to call me. I can also help walk you through the update process if you haven't done it before. 

      My direct number is (702) 842-9364. 

      • October 21, 2019
  • shawnjctompkins
    Contributor - Level 2
    2019-10-22

    Hi all,

     

    Hoping someone can shed some light and offer a bit of help my way.  I have two stage boxes (DL16's) connected to an M32. One for stage L on AES50A and the other on stage R, connected to AES50B. No problem getting bus sends to play audio out of the outputs on AES50A but AES50B doesn't play audio out of the outputs, no matter what I seem to do. I notice that the profile has the outputs set to send output 1-8 to both AES50A and AES50B. Is that okay to do or will that cause conflicts? 

    Both DL16's are connected and synced properly.

    When I look on the front of the DL16 that's not playing audio, I can see an audio level on the A1 output but nothing on the O1 output.  A1 is the Adat output, correct?

    The other thing I am thinking might be the issue is that the DL16 (AES50B) may not be set to the base setting.  Would that cause something like this?  I'm new to the Midas world.  

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    • shawnjctompkins
      DaveMorrison

      @shawnjctompkins 


      If you want both DL16s to output channels 1-8, put them bith in mode 1. You can have both DL16s output the same channels if you want. The routing from the M32 to the stageboxes is is little tricky. 


      If you want to post your current scene file, we can determine any routing issues. 


      Here are (older) instructions for saving/uploading a scene. https://behringerwiki.musictribe.com/index.php?title=Uploading_files_to_the_forum
      Upload by Choose File at the bottom of the window.

      • October 22, 2019
    • shawnjctompkins
      CraigFowler

      It's fine to send the same group of outputs to multiple destinations.


      The DL16s have modes, which among other things determine which signals in the incoming AES50 stream make it to the DL16's XLR outputs.  Mode1 takes the first 8 signals in the AES50 stream (whatever is in Routing>AES50B>outputs1-8,) mode2 takes signals 9-16, mode 3 takes signals 17-24.  The DL16 needs to be in the right mode.

      • October 22, 2019
    • shawnjctompkins
      GaryHiggins

      @shawnjctompkins Some additional info. Hold in the config button and turn the data knob fully counterclockwise, that will put the DL16 in mode 1. No screen LED's will be lit.  Mode 1 will put the aes50a and b out 1-8 routing assignments at the DL xlr outs. By default aes50 a and b outputs are set to "out 1-8". Out 1-8 is determined at the outputs 1-16 routing menu and represents the first 8 ch assignments there. As far as monitoring via the headphone jack, you can step through all inputs "In 1-16" all xlr outs "Ou 1-8" all adat "A 1-16" and all p16 "P 1-16" by pushing in the data knob and turning it. So yes A1 is adat ch 1. The adat ports are assigned aes50a/b 17-32 in modes 1,2 or 3. By default aes50a/b out 17-24 is also assigned "out 1-8" and would explain why you would see signal there if you happen to have been in mode 2...or 3. If in mode 1, Ou 1 and A 1 will be the same if your aes50 output routing remains at the default setting.


       


      In the attached chart 'seq' is the mode, I assume seq means sequence of what each click does, never quite understood that column title...anyway. With the latest firmware there are also an additional 2 stand alone modes that deal with a newer KT product. Mode 11 is L 44.1 and mode 12 is L 48.1

      Screen Shot 2019-10-23 at 6.36.23 AM.png
      • October 22, 2019
    • shawnjctompkins
      shawnjctompkins

      Follow up to this is that it was the mode setting on the DL16 stagebox itself.  Thanks for all for their input and help!

      • October 23, 2019
  • SalvatoreBarone
    Contributor - Level 1
    2020-04-12

    I would like to know if Midas will ever provide a Mac version of its offline editor for Pro2 console that runs on Catalina OS. 

    Thanks

    Salvatore Barone

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    • SalvatoreBarone
      ChaseMcKnight

      Hi @SalvatoreBarone 

      With so many on-going projects we cannot give a time line for an update to our Pro Series Offline Editors. We recommend users to stay at macOS Mojave until one is available. 

      • April 13, 2020
  • JeffreyBridges
    Contributor - Level 2
    2019-08-04
    I am sure that this topic has been covered here. But my eyes are tired and I gotta get some sleep before tomorrow's load in. Where can I get spare faders for the X32 and Pro1? I also want a spare power supply for the Pro1. Is there a phone number that will positively get me in touch with someone? Or an email address that gets responses in a reasonable amount of time? I am using these mixers along with a significant amount of Turbosound and RCF powered speaker sysytems and I need parts to repair the X32 immediately. And would like to have the parts on hand for the Pro1 as well. Any help or suggestions welcomed and appreciated. Thanks
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    • JeffreyBridges
      RichardYClark

      Depending on what part of the world you are in a lot of music tech retailers hold supplies of replacement X32 faders. They come in a pack of five, at just under $100 or £100 a set. In the US Sweetwater have them and in the UK Gear4Music.

      • August 3, 2019
    • JeffreyBridges
      JeffreyBridges

      To clarify;


      Sweetwater does NOT have these parts. Nor have they been able to even identify the parts I requested as of Aug 13

      • August 13, 2019
  • FrankReichel76
    Contributor - Level 1
    2020-05-14

    Hi,

    I only have one question. I would like to use an M32 as FoH Console, 2x DL16 as Stagebox and an M32R Live as monitor desk. As described everywhere, I stated that the M32 at FoH place is on internal synergization and on the monitor place AES50 (A). The Foh console is connected from AES50 A to the first DL16 AES50 A. The first DL16 from AES50 B to the second DL16 in AES50 A and from the second DL16 AES50 B to the monitor desk AES50 A

    The synchronization is ok.

    The input routing on both consoles is AES50 A 1-32.

    My problem is now, I see the input signal on channel 1 on the FOH. This is not visible on the monitor. Instead, I see a signal on the monitor on channels 15 and 16, 31 and 32 when I turn up the master on the FoH.

    Please explain to me how I can switch this off and how I can properly route the outputs. From FoH I need 5 outputs (PA L&R, Subs (Mono), Nearfield L&R). At the monitor station I need 9 outputs for monitoring or in-ear systems.

    Why don't I see the right input signals on the monitor?

    All consoles are on firmware 4.02.

    Thanks in advance

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    • FrankReichel76
      GaryHiggins

      @FrankReichel76 


      You should not interconnect the monitor board from the DL16 B port-that port is only meant for other stageboxes. The Monitor M32 will not get inputs properly and can't send through the B port in the other direction. Better connect the 2 consoles together directly from one port and connect the DL16's to the monitor M32 using the other free port. You can then forward any of those inputs to FOH from the monitor desk.


       


      EDIT:   FOH M32 B<>A Mon M32 B<>A DL16#1 B<>A DL16 #2


       


      The DL16 B port can only forward aes50 outputs, and those being dictated from a master mixer. It can not forward its inputs. The result is the M32 or any mixer if connected to the DL B port, will get whatever the FOH mixer used for its aes50 output routing menu. If you had aes50a 1-32 for the Mon inputs for instance it will probably see FOH out 1-8, FOH out 9-16, FOH out 1-8 again and FOH out 9-16 again. (the default aes50 output 1-32 routing)

      • May 13, 2020
    • FrankReichel76
      RexBeckett

      @FrankReichel76 


      Hello Frank, welcome to the community.


       


      As you have the system configured, the monitor console will not receive the stagebox inputs directly. It will only receive the outputs from the FOH console that are routed to AES50-A.


       


      It would be better to configure the system like this:


      M32 AES50B <--> AES50A M32R AES50B <--> AES50A DL16 AES50B <--> AES50A DL16


      The M32R will receive all inputs from the stageboxes on AES50B and can forward them to the M32 on AES50A. The M32 can send its outputs to the M32R on AES50B where they, and the local monitor mixes, can be sent to the stageboxes on AES50B.


       


      Edit: You beat me this time, Gary @GaryHiggins 

      • May 13, 2020
  • bjh2775
    Contributor - Level 1
    2019-10-24

    The mute all button on my S32 is stuck in the on possition. I accidently unplugged the ethernet cable connecting the S32 to my X32 while connecting my router and I believe that's when the problem occured. I've tried powering down everything multiples times and have triple checked that the connection is secure. Could it be a hardware failure? The unit is less than three months old.

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    • bjh2775
      Paul_Vannatto

      Hi Brandon @bjh2775 ,


      Welcome to the forum. Is the Mute All button physically stuck (pressed in) or just the light is on without the ability to change it? If it is the latter, check on the X32, Setup, preamps screen to make sure the Lock Stagebox is not enabled.


       

      • October 24, 2019
  • evansampson
    Contributor - Level 1
    2020-01-28

    I was watching a video on youtube from guitar center and noticed the guy stated that the 2 network ports (not aes50 ones) can be used for dante or waves soundgrid. But I also know that they are offering a dante card, so I am confused if you need to buy the expansion card or if dante is built in...

    84F1B617-3B3B-426C-BE06-9EA290D43934.jpeg
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    0 592
    • evansampson
      ChaseMcKnight

      Hi @evansampson 

      Dante is not built-in natively but will be an available pre-installed internal card option in the future. Along with the standard WING configuration, there will be versions that include either a Dante or Soundgrid card internally. This is in addition to the expansion card slot, that will also have those same options and more. 

      • January 28, 2020
  • TES_Mahi
    Contributor - Level 2
    2020-04-04

    Hi Guys,

    I wanted to ask if anyone knew if the Behringer XTouch is compatible over ethernet with the Behringer Wing. Like the XTouch is compatible with the Behringer X Air Series of mixers.

     

    Thanks a lot

    0 591
    • TES_Mahi
      Paul_Vannatto


      @TES_Mahi wrote:


      Hi Guys,


      I wanted to ask if anyone knew if the Behringer XTouch is compatible over ethernet with the Behringer Wing.





      I don't believe so, but checking with the experts. I do know that the OSC and midi implementation has not yet happened (but is planned).


       


      :edit: Just got confirmation that the XTouch will not work with the Wing (at this point).


       

      • April 4, 2020
    • TES_Mahi
      TM_Mueller

      Is there an update now?

      • May 31
  • pekner
    Triber Moderator
    2019-10-31

    Meet Christopher Olofsson, our Brand Research Software Specialist who currently works as the Project Manager for the Lake software team located in Kungsbacka Sweden. We have asked Christopher few questions about his time and experiences working at Lab.gruppen and Lake.

    Tell us about what you do at Lake?

    I currently work as the Project Manager for the Lake software team. I also do a lot of the software development and customer contact as well. We’re a tight and focused team consisting of senior developers with a lot of experience in the vast spectrum of use cases Lake is deployed for.

    How long have you been in your current position, and could you provide a brief overview of what you do?

    I have been working at Lab.gruppen and Lake since December 2014. The current project Lake XP was kicked off in February 2019 with early customer feedback on the concept as a whole. The project as such was exciting already from the start in that it required creativity in order to get our already released hardware to perform even more audio processing than before. At first, we did not know whether we could actually make it or not! To highlight some of the features Lake XP adds I would list separate FIR processing for speaker presets and speaker array optimizations and the possibility to activate a multiband limiter on each output. A great toolbox for anyone into FIR speaker preset making, for instance.

    Have you always been interested in the audio and sound business? What drew you to this industry?

    Ever since I was little I have been playing the piano and been interested in music making/audio production as a whole. But I also started out early as a hobbyist programmer. To work here is a perfect combination of two of my main interests!

    What do you like about Lab.gruppen and Lake?

    To me it’s about the quality and well-thought-out products that the brand Lab.gruppen stands for. I sometimes get in contact with people working with or otherwise interested in live audio during my spare time since I play in a band and I always feel proud to say I’m with Lab.gruppen since our amps have always been so highly ranked. But it’s also a great place to work at. Everyone here is kind to one another and you’re always included and listened to when you have ideas.

    What is your inspiration for both work and your personal projects?

    Even though I am a programmer and things tend to get very technical at times, I really try to put myself in the position of an end user and strive to make the end result as “user friendly” as possible. My main inspiration is when users express their appreciation of my work, whether it is at work or in other parts of life.

    What makes you happy at work?

    To finalize something that was first an idea and see it happen, spring to life and actually make a difference and add value. That of course in combination with a few laughs together with my colleagues whether it be to celebrate or to get over setbacks.

    What has been a lesson you’ve learned while working at Lab.gruppen and Lake?

    That “to prioritize” actually means to remove something that you won’t do, not to pick what you will do first. This is hard, since I always want it all and tend to want to squeeze in even more. I tend to get very eager.

    What is your most satisfying customer interaction?

    To solve and iron out technical details of e.g. a feature in a way that we all understand the problem and agree on all parts of the proposed solution, and the joy the energy that comes from that process gives me when thinking of how good this will become.

    What is one potentially surprising thing that people don’t know about you?

    I’m not that full of surprises, more of the opposite. One thing that some may or may not know about is the fact that I play the piano and the organ in a band, and we have been sticking together for twelve years now, performing our own original songs.

     

    Christopher.JPG

     

     

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    • pekner
      Danmustard

      So cool to hear about working at Lake Audio! Do you think the tech under the hood will ever make its way into different formats? For instance a digital EQ that could be added via fx send to analog or digital boards that lack the high quality EQ Lake provides.

      • October 31, 2019
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