Hi There

I am fairly new to the entire topic. I bought two Behringer A800 Amplifier with the idea in mind to power my two passive speakers. One I thought to use for the left and another one for the right speaker. My Question now is: How can I set up the A800 in bridged mono mode? Do I simply use Output A, leave Output B empty and use input A for either right or left? I am aware of the bridge mono switch. 

I am also a bit stuck on the cables as I read that I have to switch one end of the speakon cable from 1+ to 2+ and 1- to 2-. Sadly I can find nothing on this in the instructions manual.

I am thankful for any input that might help.

Cheers!

On the spec sheets it states that the NX6000D has the following modes:  

• BRIDGE, DUAL (Dual Mono), STEREO, BIAMP1 or BIAMP2.

I connected to the amp via NXEdit, and the only modes that are being shown is: DUAL (Dual Mono), STEREO, BIAMP1 or BIAMP2.

I went thru the front display and even there the option for Bridge is not shown.

So my question, how do I set this amp in Bridge mode?

We are replacing the tried and trusted IPD series of DSP-controlled power amplifiers with a new, improved breed of raw power and ultimate control solutions. This move is part of a general strategic leap forward that will benefit you, starting…. Right now!  

You probably know the feeling: You are planning some fundamental changes, but the time just never seems to be perfect for actually making the big move. But then something unforeseen happens, and suddenly everything aligns, which causes you to pull the trigger on opening a new chapter in your life. That was exactly what happened to us – both specifically when deciding to discontinue the renowned IPD series of power amps and introduce the IPX series, but also on a higher level, as we decided to turn our Swedish facility into a dedicated research and development power house that will be focusing entirely on what they do better than anyone: Design and develop unparalleled amplification and digital signal processing for the future!

 

Making the Most of an Unfortunate Situation

As is often the case, unfortunate events tend to occur in quantity. Obviously, 2020 was an unusual and challenging year on a number of levels. First and foremost, the global Coronavirus pandemic took us all by surprise and caused unfathomable human distress across the globe, yet the acute situation also taught many of us new things such as optimizing our collaboration-on-a-distance skill set.

Fortunately, when entering 2021 it seemed like there was a good chance that things would gradually begin to move back to normal. However, the combination of the pandemic, natural catastrophes and a fire that had consequences throughout the pro audio industry caused severe supply chain problems and skyrocketing freight rates – not just for us, of course, but generally and globally.

These were the elements that ‘suddenly aligned’ and gave us confidence that now was the time to make some real changes. Transition phases are always painful to some degree, but they are also necessary, and we felt wholeheartedly that it was absolutely the right thing to do – so why wait?

 

The IPX Move into The Future

While the IPX series looks very similar to the IPD series that it is replacing, there are indeed a host of improvements to be found under the hood. For instance, the DSP has been upgraded and is prepared to integrate seamlessly with future audio and control protocols.

Along with sister companies such as TC Electronic and Midas, we have always been a first mover in terms of adopting new technologies, as well as developing them, and this case is no exception. We consider it as a huge benefit to audio professionals when manufacturers across the board agree on standardization and harmonization in order to make your job easier. Therefore, we are pleased to announce that IPX is your bullet-and-future-proof power amp solution. However, this fundamental change of the DSP design also means that IPX is not backwards compatible with the IPD series.

Further, while specified at the same power ratings as the IPD series (1,200 W and 2,400 W), the new IPX series is more power efficient, and they deliver more power at lower impedance loads. And last but not least, they have a lighter environmental footprint due to their improved power factor load, making them more efficient in terms of sheer electricity consumption.

 

The Collaborative Move into The Future

As already mentioned, 2020 turned out to become a year of remote work optimization. However, since Music Tribe has been a global organization for decades, collaborating across country borders and time zones was definitely far from new to us. Along with other factors that pushed in the same direction, we decided to make the move for Lab Gruppen in 2021, ensuring that the engineering staff in Kungsbacka, Sweden, is now allowed to dedicate its every moment of attention to developing, refining, rethinking, improving and designing new products and cutting-edge technologies that will help you stay ahead of the curve.

This means that production has started taking place in Asia, which may cause concern to some, but please rest assured that you will not experience any changes in terms of quality, sturdiness and reliability. The number one mistake Western companies make when moving production to Asia is more than anything to have missed out on doing their homework properly – on a cultural as well as a practical level. Well, Music Tribe has been present in the region for ages. In fact, far longer than e.g. Apple and other huge consumer goods manufacturers that we have all accepted as high quality vendors long ago. It cannot be stressed enough that this is not a new process of change for us, or a first attempt at dipping the toes in new waters – we have decades of experience with how to manufacture efficiently and reliably out of Asia. And perhaps most important of all, we have a proven track record of successful Pro Audio and MI brands to back our beliefs that this will indeed become very beneficial for all of our customers.

At the end of the day, all that really matters is providing the finest audio tools imaginable, which in turn empowers you to focus exclusively on delivering stellar results as an passionate audio professional every single day – regardless of whether your field of work is within Touring, Venues, House of Worship, Corporate, Education, or other parts of the Live Sound and AV Install spheres.

 

Check out our video here: https://youtu.be/Rzg7x7jwgYo 

 

 

 

 

 

 

 

Hi everyone, since Behringer studio amplifiers are often used in home HiFi too, someone made an unofficial DIY kit to convert their look:

 

The main problem - since it's CNC manufactured - is the cost (around 120€)...

...it would be great if Behringer release an OFFICIAL "look conversion kit" at a reasonable price (50€ or even less) !

Let me just lead this off by letting it be known that I'm not particularly versed in the matter of Power Factor Correction. All I understand in the matter is that if an amplifier has none, they wont run well on consumer grade generators... or so I've read. I've also read that the iNuke series amps won't run well on consumer grade generators for this reason (no power factor correction) and that some of the amps take short gulps of large amounts of current (upwards of 80amps). Does anyone know if this is (still) the case with the newer NX series of amplifiers? Will they run okay on consumer grade generators?  Thank you

HI GUYS I'M GOING TO ASK ABOUT BEHRINGER NX4-6000 RMS POWER, IS THIS CORRECT? BEHRINGER NX4-6000 Specifications: • Output power (per channel, four channels): 315 watts RMS, 440 watts peak (8 ohms), 680 watts RMS, 860 watts peak (4 ohms), 1040 watts RMS, 1600 watts peak (2 ohms) • Output power (per channel pair, bridge mono): 1250 watts RMS, 1600 watts peak (8 ohms), 2050 watts RMS, 3000 watts peak (4 ohms) • Frequency response: 20 - 20,000 Hz, +0/-2 dB • Distortion: < 0.2% • Signal-to-noise ratio: > 100 dB • Power supply: 220V, 60 Hz • Dimensions: 3.5" H x 19" W x 12.2" D (95 x 482 x 310 mm) • Weight: 12.4 lbs.

Hi,

 

I am new here. I would like to ask some technical question about new Lab Gruppen PDX3000 amp. It seems to be a perfect solution for my JBL4645Cs. First of all I would like to know what is the DAMPING FACTOR (aprox. up to 300Hz)?. For the input on XLRs I would like to connect it directly from the integrated amplifier from speaker terminal (high level to low level); I made some measurements and normally high level does not exceed 0,5V - how much volts can take XLR input on PDX3000?

 

Thank you very much in advance.

 

Kind regards,

 

Gasper Jancigaj

Hi, new to the forum and about to take receipt of my first Behringer AMP. I would like to ask the tribe about running the NX3000 in bridge mode, do I have to rewire the output speakon cable amp end to +1+2 as well as flipping the bridge mode switch.

My set up will comprise of a Numark Scratch mixer to a Behringer Ultragraph EQ with channel 1 split to my monitors and channel 2 to the NX3000, from there I intend to bridge the signal to my first sub (8ohms) then onto the second creating a 4ohm load and hopefully a stable clear sound to enjoy.

Appreciate any advice and help.

??

Warranty repair...

I’ve been trying to contact Behringer for the last week. They used to be a phone number you could call and talk to a human. Now the only way to do it is to get on Music tribe. I’ve had such a hard time trying to get on Music tribe. Does anybody have a solution to how I can go about getting my Behringer app repaired under warranty?