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  • BobbySadler
    Contributor - Level 2
    2020-10-11
    User 1 & User 2 Custom Views in X32-Edit don't save with Scene | Digital Mixers

    I like the custom view feature for User 1 & User 2 with X32-Edit.. but they don't save with the scenes.. am I missing something?

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    • BobbySadler
      Paul_Vannatto Yes that is correct. The custom view is not saved in scenes because the custom view is specific to the X32-Edit app. Scenes save settings that are console related only. You will need to save the custom view as a bank, by first selecting the Mixer tab at the top, then press the Save button in the left column.
      • October 11, 2020
      • User 1 & User 2 Custom Views in X32-Edit don't save with Scene
        BobbySadler excellent.. thank you again Paul!
        • October 11, 2020
    • BobbySadler
      BobbySadler awesome to learn about saving and loading Banks.. I never used before now..

      here's another X32-Edit related question Paul:

      on the Show Control window where all the Scenes, Snippets, Cues etc live there's the left side for the PC and the right side for the Mixer.. right so far?
      so is there a way to Copy/Paste (Scenes/Snippets/etc) from Mixer to PC?
      • October 11, 2020
      • User 1 & User 2 Custom Views in X32-Edit don't save with Scene
        Paul_Vannatto Hey Bobby, scenes can be transferred by loading the scene then switching to the PC Scene screen and saving. Cues and snippets can't be done this way unfortunately. The best way to transfer cues and snippets is by exporting to a USB stick on the console (using the Utility button), then importing into the app. Exporting and importing a show will transfer all cues, scenes and snippets.

        I prefer to develop my cues, scenes and snippets on my laptop using X32-Edit, Scene Parser and/or Show Manager, then transfer what I need to the console via USB stick.
        • October 12, 2020
      • User 1 & User 2 Custom Views in X32-Edit don't save with Scene
        BobbySadler thanks again.. that worked.
        • October 12, 2020
  • New
    manoaratefy
    Newcomer - Level 1
    2021-04-24
    X32 backup before firmware upgrade | Digital Mixers

    Good morning,

    I'm looking to upgrade my friend's X32 firmware from 3.07 to the latest 4.x firmware. I have multiple questions:

    • Is scenes, routing, ... stuffs erased after firmware upgrade?
    • Can we save scenes, routing, ... into USB storage (or with a computer) before firmware upgrade ? Can we restore these scenes, routing, ... from this backup after upgrade?
    • Can we backup old firmware first?
    • Can we revert back the old firmware if something went wrong?

    As this X32 is used very frequently, I would like to do firmware upgrade quickly without any perturbation on our weekly planning.

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    • manoaratefy
      Paul_Vannatto All questions can be answered as yes, except for backing up old firmware. I can provide you 3.08 if necessary.

      The best way to backup scenes, snippets etc is to export the Show (using the Utility button) to a USB stick. Backing up the Library presets (Chan, Effects, Routing) can also be done using the Utility button to a USB stick. This should all be done before upgrading to 4.06, since the major firmware update will erase and set all settings to factory default. This also includes the first 4 screens of the Setup (you will have to manually write them down). Good news is that 4.06 has a complete backup routine added to the Setup, global screen.
      • April 24, 2021
      • X32 backup before firmware upgrade
        Klaus Hi Paul
        • July 16, 2021
      • X32 backup before firmware upgrade
        Klaus Klaus here :-) Long time not been here...
        • July 16, 2021
      • X32 backup before firmware upgrade
        Klaus As you may remember, I use several X32COREs
        • July 16, 2021
      • X32 backup before firmware upgrade
        Klaus Can X32-Edit v4.1 control a v 4.06 fw machine ?
        • July 16, 2021
      • X32 backup before firmware upgrade
        Klaus TIA and best regards Klaus
        • July 16, 2021
    • manoaratefy
      Paul_Vannatto Yes, here is a link (to my Google Drive) of firmware 3.08. You can PM me if you want.
      https://drive.google.com/file/d/1RXN1k90K9ZFtMx7097evtXcSKTLGY5I0/view?usp=sharing
      • April 24, 2021
    • manoaratefy
      manoaratefy Thank you. Last question, for precision, I can restore scenes made from my 3.07 in my USB stick into the 4.06?
      • May 9, 2021
  • jwsandersjr
    Contributor - Level 2
    2020-09-29
    X32 Mono Output question | Digital Mixers

    Bear with me as I set this question up (please!)

    Background: I usually do a stereo mix, which seems to be fine for our live stream output. I happened to notice a few days ago that while we have four main amps (left front, right front, left delay rear, right delay rear) it appears that we only have a single cable coming from the back of the board to the amps coming from XLR Out 16. My guess is that our FOH Main is only getting the Right output of the stereo mix. My guess is that I really need a mono out for the FOH Main and leave the stereo mix as is. Being both new and a volunteer, I'm not 100% certain how to accomplish this. I've done some reading of the "X32 DIGITAL MIXER Preliminary User Manual" (pdf from the website) ((not the best guide in my opinion, but it's what I have to work with)) and I believe I know what to do, but not wanting to mess anything up, I thought I'd outline what I think needs to be done and see if someone would validate that approach, or just reply and tell me the correct steps.

    My best educated guess is that for each channel I should go to the "Main Bus" section and adjust the "Level" rotary. After all channels are sending to MC, then go to routing tab and select one of the unused XLR outs (say 14) and route MC to that output. Then move the physical cable from XLR 16 to XLR 14. This would  leave XLRs 15 and 16 in their "default" Main LR setting. I suppose alternately, I could change the routing for XLR 16 from Main Array R to Main MC.

    Does this seem to make sense? Am I on the right track? Would attaching a scene file or backup help?

    Thanks, Jim Sanders

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    Caught exception: Specified column "level_id" is not in the row
  • New
    rgalv001
    Newcomer - Level 1
    2021-04-22
    No X32 Rack Connection to new iPad 8th Gen | Digital Mixers

    I just bought a new iPad 8th Generation iPad to connect to my X32 Rack with the x32 Mix app. It will not connect at all. I tried 3 other iPad Air and Air2 iPads and they all connect within seconds. The new one just stays at Listening. I tried everything and will not work. Even tried two different routers and they all connect except to the new iPad. Any suggestions? 

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    • 4 Replies
      Oldest
    • rgalv001
      PedroRodrigues Hi rgalv001, please consider that to be able to assist you with more tools please follow the link below to submit a assistance request
      https://community.musictribe.com/pages/create-new ticket?type=Technical%20Support&brand=Behringer
      Thank you
      • April 22, 2021
    • rgalv001
      JeffRowell I have the exact same problem. X32 Mix just "listens" and never finds the X32. The link provided above does not go to an existing page either. Any help would be appreciated.
      • April 28, 2021
    • rgalv001
      rgalv001

      Hey Jeff! I fixed it by deleting the X32 Mix app and re-installing it. Once I did that it worked.
      • April 28, 2021
    • rgalv001
      JeffRowell Interesting. Not an IT guy, but did recall setting up my router for fixed addresses below.20 with .21 through .255 used to handout addresses to devices. Any way, my ipad ip address was .16. So I manually set the iPad address at a higher number and it connected. Probably just coincidental, but it connected all weekend.
      • May 3, 2021
  • New
    Behringer
    Triber Moderator
    2021-10-28
    WING Firmware Update - Mousetrap Version 1.12.6 | Digital Mixers

    The console 1.12 firmware update offers some functional improvements, new effects, and new features. NOTE: the changes in this firmware are supported with WING CoPilot mobile app version 1.10.

    It is sensible to periodically check for new firmware updates. New features and bug fixes will be released regularly. Our development team is eager to react to customer suggestions and to amaze you with improvements and new features. Visit the WING product page on behringer.com to download the latest firmware, install the update and enjoy the full potential of your WING.

    This new WING Firmware version contains:

    New Processing/Effects

    • all aux channels now using input channel EQ (6 Bd, models)
    • all aux channels feature new combo dynamics (expander/leveler)
    • new channel dynamics plugin PIA2250
    • new channel dynamics plugin LTA100 tube leveler
    • MIX control added to WARMTH plugin
    • new FX selection sub-page featuring all the channel effects
    • 5 new FX plugin Channel Strips: Even, Soul, Vintage, Bus, Mastering

    New Features

    • USB Mouse control allows full remote operation of the WING main screen
    • Setup/General/Preference for switching touch control off, while USB mouse is in use*
    • Channel delay (input channels, post-processing) increased to 500ms/150mtrs for AV applications
    • Increased drive range for warmth plugin
    • Improved indication of pre/post send taps
    • Channel pan/width now post tap (8) to make send tap selection more consistent
    • Additional info message when using post-fader send tap
    • Improved channel strip overview (including fader position/level

    More Features

    • Source edit auto select improved when source solo is active
    • Touch panel test with logfile
    • Activate source solo with SOLO button in source solo channel
    • Allow screenshots of popover pages (CLR_SOLO closes page on release)
    • Routing pages swapped to improve workflow for new users
    • Configurable main link (off, 1/2, 1-3, 1-4)
    • Autocorrect file/directory names that could lead to problems with some operating systems
    • Help when setting DCA names (to control monitor levels)
    • Bus/Main/Matrix EQ with speaker processor crossover filter types on lo/hi band
    • Monitor source mix (add source signal to solo signal)
    • EQ band solo trim preference for monitoring
    • StageConnect indicator now also showing bus error state (off/green/red)
    • Support for alternative DAC for aux outputs added

    Bug Fixes

    • DCA solo fixed for post panorama
    • Fixed VPH icon not updated correctly
    • Cleanup source solo routing entries on the routing page
    • Fixed mute override when in sends on fader mode
    • Fixed pitch correction fx issue, note on/off switches now correctly stored
    • Fixed static noise on mon B issue
    • Update of the upper/lower aux eq band icons

     

    *) Note: Touch Control Lock can always be disengaged with press + hold on both buttons on the right side of the display, i.e. CLR SOLO and the black button if you need to get control back. For engaging the Touch Control Lock independent of the mouse preference, please press + hold CLR SOLO, SETUP, and the black button until the little cross icon in the top middle section is displayed.

    Firmware Update from USB Stick:

    1. Download any future FW updates from behringer.com and store them on a FAT formatted USB stick.
    2. Connect the USB stick to the top panel USB port of WING.
    3. Open the SETUP/GENERAL page and tap on the UPDATE icon on the left of the screen.
    4. A file browser will appear on the screen, and you can navigate to where the FW update is located.
    5. Select the correct FW update file and tap on UPDATE.
    6. After installing the update is completed, you will be prompted to reboot the console.
    7. The console can be rebooted by power cycling, or by selecting SETUP/SHUTDOWN and holding the SETUP button while pressing the HOME button.
    8. Verify the update was successful by comparing the firmware version on the left of the SETUP/ GENERAL screen.

     

    Alternative Update Process without USB Stick:

    1. If you don’t have a USB stick at hand, connect a USB cable to the rear panel USB port and to your computer.
    2. Either hold the blank button on the main display during power-up or open the SETUP/GENERAL Edit page in order to enable WING OS.
    3. A drive icon will appear on your computer, like connecting a flash drive or an external hard drive. Double click the drive to open.
    4. Extract the firmware zip file and drag/copy the new firmware file into the WING OS drive.
    5. After copying is completed, please eject the WING OS drive from your computer.
    6. WING should reboot automatically a few seconds after ejecting the drive. If it doesn’t, please power cycle the console, and verify the correct firmware version on the left of the SETUP/GENERAL screen.

    Note, WING will always boot using the most recent firmware in the OS drive. However, it is recommended to delete older firmware files or move them to a subfolder.

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  • New
    RexBeckett
    Superhero - Level 3
    2021-01-22
    Flow 8 Apparent Signal Paths (V11729) | Digital Mixers

    Following the purchase of a Flow 8 Digital Mixer, I set about learning how it worked – from a user’s perspective. This was done by connecting audio test equipment to the inputs/outputs and observing the effect of each of the controls on the various outputs. The results allowed the creation of an apparent signal paths diagram. The diagram reflects the Flow 8 functionality with firmware V11729. Subsequent firmware releases may change the signal paths.

    The diagram is not part of any official documentation and is just intended to help users understand how the various controls affect the operation of this great little digital mixer.


    View Attachment

    Edit: Firmware V11739 provides several additional routing options. An updated diagram has been attached to a new discussion: https://community.musictribe.com/discussions/77059/310428/flow-8-apparent-signal-paths-v11739

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    • 18 Replies
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    • RexBeckett
      DaveMorrison Nice work. How do you like the Flow8 as a mixer?
      • January 22, 2021
      • Flow 8 Apparent Signal Paths (V11729)
        RexBeckett Thanks, Dave. I think that the Flow 8 is great for mixing solo or duo performers and is ideal for many streaming or broadcast applications. The hardware has been well conceived and designed and has many advantages over typical small analogue desks. The Android app needs some attention but most of the functions work.

        I see the Flow 8 as filling the space between a small analogue mixer and an XR18. I have been testing it in a multi-participant streaming environment where it replaces a Xenyx QX1002USB + UMC404HD. The Flow 8 is excellent in this role - providing both a physical control surface and the advantages of a digital mixer e.g. instant recall of saved snapshots, remote control and multi-channel recording over USB.
        • 1
        • ·
        • January 22, 2021
    • RexBeckett
      Jerrylee1 Thanks for the diagram Rex, the compressor ratios vs percentage good to know. Lots of potential in this little mixer!
      • January 22, 2021
    • RexBeckett
      RexBeckett We may as well use this discussion to collect other information that could help new owners of a Flow 8.

      In the channel EQ, the Low and High bands are shelving and are specified at 20Hz and 20kHz – outside the range that most of us can hear. They have quite shallow slopes, though, so can be used to shape the bottom and top ends. I have measured the -3dB points (frequencies) for a range of settings.

      Low Shelf
      0dB: 18Hz, -3dB: 31.5Hz, -6dB: 100Hz, -9dB: 125Hz, -12dB: 140Hz, -15dB: 180Hz

      High Shelf
      0dB: >20kHz, -3dB: 20kHz, -6dB: 8kHz, -9dB: 6.3kHz, -12dB: 5.6kHz, -15dB: 5kHz

      I think the bottom end of the Low Shelf is affected by the channel's Low Cut filter. This cannot be turned off so is set to the lowest frequency of 20Hz.
      • January 24, 2021
    • RexBeckett
      RexBeckett The Flow 8 responds to Midi messages via the USB connection to a PC. This is a one-way Midi link. The Flow 8 does not transmit any Midi messages. The Midi implementation is well documented in the Quick Start Guide. Continuous Control values can be calculated as shown below.

      Fader Levels:
      CC Value = ((dB + 70) * 126 / 80) + 1

      Bus Limiters: CC Value = (dB + 30) * 127 / 30

      EQ Bands: CC Value = (dB + 15) * 127 / 30

      Low Cut: CC Value = (Frequency - 20) * 127 / 580

      Channel Gains: CC Value = (dB + 20) * 127 / 80

      Pan/Balance: CC Value = (Setting + 1) * 127 / 2
      • January 24, 2021
    • RexBeckett
      RexBeckett A frequent question about the Flow 8 is: How easy is it to use a multi-layer surface wthout motorized faders? I find it surprisingly easy - for example:

      When you change layers, the Offset LEDs above each fader show you when they are not synchronized. When you move one of the faders, the small LCD screen shows the dB value it should be set to and a moving line shows how far and in which direction you need to move the fader. This is a very handy feature which I have not seen mentioned in any online reviews.

      When changing to an FX or Monitor layer to tweak a couple of channel sends, it is not necessary to synchronize all the channel faders. You only need to sync the ones that you want to change. This also reduces the number of offsets when returning to the Main layer.

      Once the principle settings are in place, I tend to leave the physical surface on the Main layer. This allows easy adjustment of channel and Main faders. I have a 7" tablet running the Flow Mix app to allow tweaks to EQ, Compressors or FX parameters. In practice, once it is sounding good, the tablet is not essential.
      • January 25, 2021
      • Flow 8 Apparent Signal Paths (V11729)
        Jerrylee1 Same way of working as on the earlier Studiolive Presonus mixers, it works well.
        • January 26, 2021
    • View later comments
  • MarcusLinden
    Contributor - Level 2
    2020-09-12
    Connect 2 Wings to same stage-box | Digital Mixers

    Hi

    We have a Wing with a S32 on AES50-A and two S16 on AES50-B for our PA-mix.

    Now we are thinking of buying a second Wing for a separate broadcast-mix.

    Do you know if it would be possible to connect the second Wing to the B-port of the S32 (and S16s) to get the same inputs to both boards?

    Will the Wings detect eachother so that it is possible to set one as gain-master or will both have access to the gain and 48V ?

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    • MarcusLinden
      DaveMorrison You can easily connect 2 (or more) Wings together in a variety of ways. If you use the the S32's B port, the console connected to the B port cannot control the Gain and cannot send signals to the stage box. This will not work with S16s. The best and easiest way is to connect both consoles directly together and forward the signals to the other console. Then both consoles can send signals to the stageboxes outputs (for mains, monitors, and IEMs). Only one console can control the Gain and Phantom Power, but you get to choose which one. If you have questions on routing the signal between consoles, just ask.
      • September 11, 2020
      • Connect 2 Wings to same stage-box
        MarcusLinden Thanks for quick answer! If connecting the consoles directly together on the C-port, and routing a source from the A-port to channel 1 on the PA-desk, would it be possible to configure the C-port to send cannel 1:s input (without specifying which source it comes from)? Like having the broadcast mix to automatically follow the routing on the PA-desk?
        • September 11, 2020
      • Connect 2 Wings to same stage-box
        DaveMorrison I would imagine there would be a way. I'm a X32/M32 user, but the AES50 interconnection bus is the same. The trick would be to forward AES50-A out to AES50-C. On the X32, coping the basic scene from one console to the other can give a quick start on the layout of a new mix. Paul, Gary, or other Wing experts can answer this question for you. Unfortunately, we STILL can't tag other users on this new-fangled forum (or directly share scenes).
        • September 12, 2020
    • MarcusLinden
      GaryHiggins I’m afraid you will have to do some routing. If you use the C port to connect the second Wing you will need to rout on Wing1 by using the aes50c output group and populate it using the aes50a and b routing source groups so as to replicate your current inputs. On the second Wing you would use aes50 1-48 for the inputs in the correct order with whatever port letter you chose to connect by. If you use the A port it would be aes50a 1-48. If you only used the S32 (no S16’s) and connected to its B port you could duplicate the inputs by using the same snapshot. The 2 S16’s throw a wrench in those works. This makes using the C port the best choice by forwarding the inputs to the second Wing on one aes50 line. (I should add: imo)
      • September 12, 2020
    • MarcusLinden
      Bmoller

      Hi - I have 1 S32 and 2 wings. We have the main in-house wing mixer (wing 1) connected to A on the back of the S32. Our 2nd wing (wing 2) is for streaming. We have wing 2 plugged into B on back of the S32 and into A on the back of wing 2. Wing 1 works great, wing 2 gets no signal. How do I get a signal from B to wing 2 from B on back of S32. As info, Wing 2 plugged into A on back of S32 gets a signal just fine. Move the ETH to B - nothing. Thanks!
      • November 28, 2021
  • MikeDrennan
    Contributor - Level 3
    2020-09-14
    Advice on Wing Snapshot management | Digital Mixers

    I'd like to have two quick recalls on my Wing; the first where the alt inputs are set to USB in sources from my DAW, and a second where they are set to Wing Play sources.  This way I can toggle quickly between multitracking to a DAW and playing back multi tracks, or choosing to use the Wing Live card instead. 

    The alt inputs are really the only thing I want to be different between the two snapshots.  Can someone guide me in the right direction of what to include in the save file, and what to "safe"?  

    Lastly, is there no longer a way to recall a specific scene from a MIDI message or a custom button?  I miss having that from my X32 days.   

     

    Thanks!

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    • 3 Replies
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    • MikeDrennan
      Paul_Vannatto Hi Mike,

      First of all, there is no external mechanism (JSON, OSC or midi) to load a snapshot at this point in time. That is one important feature on the wishlist.

      Secondly, what you are wanting to do (change alt input sources from USB to USB player and vise versa) requires snippet-like functionality (like on the X32/M32). Unfortunately at this point, this feature has not yet been developed on the Wing itself. But the good news is that the Wing now has an OSC server built into the lastest firmware (1.08). I have successfully ported my X32 Live Toolbox to the Wing platform and released the beta version this week (https://sourceforge.net/projects/wing-live-toolbox/). It provides snippet-like functionality using its tidbits. The release also includes all of the OSC commands. If you need any help developing tidbits for your application, just let me know.
      • September 13, 2020
      • Advice on Wing Snapshot management
        MikeDrennan Paul, thanks for the response. I downloaded your Toolbox app...very nice. Taking my first stab at it, if I wanted to switch Channel 14 from alt input USB 14 to alt input Wing Play 14, I would have to send two OSC commands to the desk: /ch/14/in/conn/altgrp/Play and then /ch/14/in/conn/altin/14. Is this correct?
        • September 14, 2020
      • Advice on Wing Snapshot management
        MikeDrennan Paul, can you comment on the above reply? Is that the correct OSC sequence for the example I gave? Thanks.
        • September 17, 2020
    • MikeDrennan
      Deo1 Hi guys.

      I have just purchased my first gigital X32 mixer. I tried to connect it to my Mac, and use it to control my DAW which is Cubase8. But i can't get any signal out nor in.it looks like i have to redo everything from scratch although i just don't know what. Anyone can help?
      • September 14, 2020
      • Advice on Wing Snapshot management
        Paul_Vannatto This is a Wing thread, not an X32 thread. Please post a new thread regarding your X32 issue
        • September 14, 2020
    • MikeDrennan
      MikeDrennan I’m getting notifications that I have new responses to my thread, but nothing shows up?
      • September 16, 2020
      • Advice on Wing Snapshot management
        Paul_Vannatto I'm getting them too Mike
        • September 16, 2020
  • New
    harrisonfore92
    Newcomer - Level 1
    2021-04-06
    A Behringer wing a dl32 and a M32c walk into a bar... | Digital Mixers

    Hey there, I just had a question about the behringer “wing”.

    Is it able to share the Midas DL32 stage box with a M32 C? For instance the M32 C will be used for monitors and the Wing will be used for front of house split digitally via AES.

    thanks! 

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    • 5 Replies
      Oldest
    • harrisonfore92
      Paul_Vannatto Yes you sure can, just like you would with multiple M32
      • April 6, 2021
    • harrisonfore92
      GaryHiggins A Behringer Wing, a DL32 and an M32C walk into a bar and come out lifelong friends!
      • April 7, 2021
    • harrisonfore92
      KevinMaxwell I guess I will piggyback on this question and ask a few about the same basic thing.

      If I have an M32 as a monitor console and a DL32 on stage and a WING at FOH I understand that there are a couple of different ways of wiring it up. What are the advantaged of the different ways? One place I have worked that has that basic setup except instead of a WING they have an M32 at FOH. And they have the DL32 AES50A connected to the house console AES50A and the DL32 AES50B connected to the Monitor console AES50A. I am not sure how they had the outputs configured. I think they had the FOH console using the DL32 outputs to the house speakers and the M32 Monitor console (XLR) outputs directly feeding the monitor speakers. But what is the difference if you have the DL32 connected to just the monitor M32 and then that connected to the FOH console. Would that be DL32 AES50A to the M32 AES50A and the AES50B of the DL32 to AES50A on the WING at FOH. Then how do you get the outputs to the House speakers on the DL32 and the Monitor outputs from the M32 to the Monitor speakers. BTW in this example all of the speakers are powered from Amps on stage.

      Now in the OP (original posters) question it might be more like the setup I am thinking about. If I had a WING at FOH and an M32 at Monitor position without a DL32, since a DL32 and an M32c would basically be equal to an M32. I assume I would just hook the 2 up AES50A on stage to the AES50A at FOH. So the question that brings up is how do I route the outputs of the WING to the house speakers and the outputs of the M32 to the Monitor speakers? And actually in my case I would want to send the outputs from the WING to the AES/EBU output on the M32 and at least one output of the WING to an XLR output on the M32. The AES/EBU and the XLR would go to a DSP for the house speakers that I would move from FOH to the stage for this setup.
      • April 7, 2021
      • A Behringer wing a dl32 and a M32c walk into a bar...
        GaryHiggins Just a few other tidbits...the DL32 and S32 are the only 2 X/M32 stageboxes that allow the inputs to pass from both the A and B sides of it, the caveats in so doing Paul already stated.


        With the A/B ports used to each mixer: From the B side of the DL32, any aes50 ch's sent from the Monitor position mixer to FOH (and then on to the DL) are shifted up a whopping 32 ch's. That is because the inputs of the DL itself take up the first 32 ch's to FOH as aes50a 1-32. Technically you could still send outputs to the DL from the monitor mixer position but only the first 16 aes50 ch's will make it and those 16 will be seen at FOH as aes50a 33-48. You could have the FOH mixer relay aes50a 33-48 to the DL XLR outputs or (parts of them)

        Hooking up in the traditional way, that is daisy chained, is likely the easier way IF you really need the monitor mixer to control outputs.

        EDIT: Forgot one other drawback in doing it like the above, it will put those same 16 ch's from the monitor mixer at the DL32 ultranet port, perhaps not an issue but it could be.
        • April 7, 2021
    • harrisonfore92
      Paul_Vannatto Hi Kevin,

      Gary and I did not go further in our response, since the OP question was "is it possible". To answer your question, you need to understand how the DL32 works, particularly with its AES50 B port. Only the console connected to its A port has access (control) to the input preamps (gain and control) and the outputs. The console connected to the B port only has access to the input signals. What that means is that the B port console cannot send outputs to the DL32 and signals from FOH (eg. talkback) cannot be passed through the DL32.

      The other setup with the monitor console in between the FOH and DL32 is much more flexible with signal routing, using the monitor console Routing AES50 along with the new User Out patching. Also preamp control (gain and phantom) can be assigned to either console.
      • April 7, 2021
    • harrisonfore92
      KevinMaxwell Thank you Gary and Paul. Now I just need to gather all of this equipment together and start to play with the different configurations. I will probably also bring along my SMAART system and test to see if there are any measurable differences and to see if there is any different propagation delay results with the different setups.
      • April 8, 2021
  • New
    paultong0101
    Newcomer - Level 1
    2021-03-31
    Behringer X32 Rack making cracking and popping noise when connected to Pro Tools... | Digital Mixers

    I bought an X32 rack last month. Updated the firmware to v4 and installed the Edit software. All good. But whenever I playback from either my iMac or Macbook Pro (both running Pro Tools and iTunes on Mojave) I get intermittent crackling and pops via the monitors (and visible on the x32's metering) similar to sample rate mismatch.

    I bought a UPS to eliminate any potential bad power causes, but the issue is still there. The cracks and pops hit close to digital zero, regardless of playback level. 

    I have set the Aux to 'Card 1-2' in the routing to facilitate playback via USB.

    Any help would be appreciated as I've been trying to diagnose this for over a month and am at the point of just returning it for a refund!

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    • 4 Replies
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    • paultong0101
      Paul_Vannatto Is the clock rate (44.1K or 48K) on the X32 Rack identical to what is set in ProTools? The clock rate is set in Setup, Mixer, Sample Rate (in X32-Edit).
      • March 31, 2021
      • Behringer X32 Rack making cracking and popping noise when connected to Pro Tools or iTunes.
        paultong0101 Yeah, they're both both set to 44.1Khz!
        • March 31, 2021
    • paultong0101
      Paul_Vannatto Do you have the USB plugged into a USB 2.0 (black)? The X32 USB port is 2.0 and does not work well with the newer 3.0 (blue) ports. Also try adjusting the buffers (increasing) and replacing the USB cable (yes they can go bad).
      • March 31, 2021
    • paultong0101
      StephenEvans What's your buffer size set to?
      • April 1, 2021
    • paultong0101
      sbroersen

      I have the same problem. I have a X-32 with the latest firmware 4.06. When I play back from my iMac with Logic pro over the USB 2.0 X-32 connection routed over aux to Card 1-2, I get a lot of noise after playing back for 5 minutes. The noise is getting worse over time, starting with little distorsion. Switching my X-32 sample rate to 44.1K had no effect. What can I do? This problem is mentioned form 2018 on, so there must be a solution by now.
      • May 2, 2021
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