I just recently got a new pc and after downloading the software none of the profiles are loading. i tried using one drive and send-anywhere to get them to upload, but nothing works. I cant even create a new profile. I have no idea what the issue is.
Hey everyone,
we fixed an issue a few customers had with booting WING while being connected to a Mac running 10.14 or 10.15 Firmware 1.08.1 is now live!
Hey! I have a Midas MR18 digital mixer (similar to the Behringer XR18) and want to connect from its (balanced XLR, mono) AUX outputs to the (unbalanced TRS, stereo) AUX inputs of a Behringer HA6000 headphone amplifier.
Depending on the number of participants (mix-minus feeds for each), I would like to support the following two scenarios:
To be sure not to damage anything, I'd rather not start experimenting with different cables. Therefore, I have two questions (and a follow-up question, depending on the answer of the 2nd question):
Question 1: Would a 2x XLR female to TRS male cable (wired as illustrated below) work for stereo (L/R) headphone monitoring (scenario 1), connecting (paired) MR18 AUX outputs to single AUX inputs of the HA6000?
This would accomodate 3 headphones (AUX outputs only), or even 4 headphones (if I use the MR18 Main L/R outputs as well), to enjoy stereo monitoring.
Question 2: Would the same cable also work for mono (R+R) headphone monitoring (scenario 2), when simply not connecting one of the XLR ends and pressing the "MONO R" button on the HA6000, or is leaving the ring (or tip) signal of the TRS cable "floating" like this a really bad idea?
This would accomodate 6 headphones to be able to monitor in mono (mirrored).
Question 2b: In case using the same cable for scenario 2 is not recommended (see above, question 2), would an XLR female to TS male cable be advised?
Thanks a lot for any help with this! I've been searching the internet for hours already, but could not find any definitive answers to these questions. It seems not a straightforward thing, wanting to connect the MR18 to a HA6000, or similar device with unbalanced stereo inputs.
Note: I currently also own the Behringer AMP800 (which has balanced inputs and allows the use of regular XLR to TRS cables) but I want more connectivity options. Unfortunately, it seems headphone amps with more balanced inputs are not that common.
WING Copilot 1.4 Release – Phase 4
The Copilot app supports different types of live or studio work, either when an engineer is away from the console or when tasks are split with others.
Phase 1. Performance Setup:
This section is especially tailored to the activities during setup and line-check. Prepare all Sources and Outputs while patching signals to I/O boxes on stage. Sources can be named, tagged, given a color or an icon. Sources also own the head-amp properties such as gain or phantom power.
Phase 2. Metering:
Additional metering can be displayed on your iPad next to your console touchscreen. It includes levels of all Sources, Channels and Outputs and an RTA that can follow the selected channel or be assigned to a fixed signal path.
Phase 3. Monitor Mixing:
The Monitor Mixing UI provides the essential parameters of personalized monitoring applications. In addition to individual channel sends, this section also provides an MCA view, where several channel sends can be adjusted by a single Mix Control Association. It also offers a lock function to reduce the risk of accidentally selecting the wrong bus.
Up to 4 MCAs can be given a descriptive name for the associated group of channels, and a color can be selected for additional clarity. Once the channel assignments are made, the MCA sliders can be used to increase or decrease the level of all associated channels.
Individual channel contributions to the personal mix can still be adjusted on the Mixer tab but dynamic adjustments during performance are easier using the MCA sliders.
Phase 4. Front of House:
The FOH section is designed for mixing from within the audience, essential when placing the console in a less than optimal position. Aside from good overview of all fader layers, this section also provides access to the processing of channels, buses, mains and matrices.
Key Features:
• Customize all Sources, Channels and Outputs
• Declare WING Sources as Mono/Stereo/Mid-Side
• Configure head-amp properties
• Patch Sources to Channels and Outputs
• Create and control connections between Channels, Buses, Mains and Matrices
• Set up and control the Talkback
• Metering for single Sources, Channels and Outputs
• Control Monitor-Mixes for IEMs and wedges
Requirements:
* Requires a wireless router connected to the WING Personal Mixing Console
* Copilot 1.4 requires WING console firmware V1.10 or higher
iOS:
https://apps.apple.com/us/app/wing-copilot/id1447618712
Android:
https://play.google.com/store/apps/details?id=musicgroup.wapp&hl=en_GB&gl=US
More info on the Behinger WING console:
https://www.behringer.com/product.html?modelCode=P0BV2
Hi,
I have X32 with firmware 4.02 + X-live card firmware A12
X32 Edit (Mac) version 3.2 recognises the X32 but won't connect.
Tells me to update the firmware.
I can't find any newer firmwares.
What should I do?
Thanks
My computer works just fine with the X-USB card in my X32 Rack.
However if I restart the computer, the X-USB is not recoginized (by the computer) unless I recycle the power on the X32 Rack.
I have two X32 Racks, and both have same behavior.
(For contrast, I also have an X-UF card that seems to NOT have this problem when I install the X-UF in my X-32 Rack. i.e. when I start up computer, the X-UF is always nicely showing as an audio device... I do not have to recycle power on the X-32 Rack like I do with the X-USB)
I am used to just unplugging and replugging the USB cable to fix USB Audio connection problems but that does not help the X-USB ... I must recycle the power to get the X-USB working.
Should I just accept "that is how it works" (must recycle power on X-32 Rack to get computer to recognize the X-USB)?