I am utterly disgusted with your company. It took over a month, endless emails, forums, and re-sending information I provided multiple times to multiple people, before I finally got Musictribe to get warranty service to me, and then you give me a service center that is backlogged for TWO MONTHS in Digitron Electronics. It should be noted that the folks at Digitron are as frustrated with your lack of communication as I am.

Dear Team,

We are Hoang Bao Khoa, a distributor of Music Tribe in Vietnam. We are looking for spare parts of woofer which is diaphragm.

We know that your end sells woofer as a spare part. How about the diaphragm of woofer only?

As our customers send us their feedback about this. When their Turbosound speakers have problem with woofer, they need to change the whole woofer instead of its diaphragm part only. This makes the fee for repairing increase. Meantime, JBL brand offers the smaller components of woofer (as in the picture), which reducing the cost much.

Kindly advise if your end provide diaphragm as a spare part? Or any better suggestion?

Thanks

Diem

Hello community,

I hope there is some sound engineer here. I wondered whether it is technically possible to build an external USB sound card with volume control and USB and plug connections for headsets, headphones and microphones similar to the attached image(s) (but in Behringer quality ;-) like the UCA222), but with integrated sudden sound peak (high frequency) suppression or attenuation like what Sound Lock (https://www.3appes.com/sound-lock/) does. Although Sound Lock works fine under normal circumstances its reaction time to sudden noise peaks (like with feedback) is about 4 seconds, which is far too high. The solution on the sound card could be either software on a chip (+ battery and USB feed?) or a hardware solution. FIY, in case you wonder: this is not the same as active noise cancellation (ANC).

Addition: After some further surfing on the Behringer and musictribe websites, I see that feedback suppression withe a reaction time of 0.2 seconds is possible with a Behringer algorithm (FEEDBACK DESTROYER FBQ1000). So the question is: is this possible on a small device as described above. 

Kind regards, keep safe and have the best day ever, every day. 

For several weeks I have been attapting to contact Musictribe to have my warranty fufilled on a faulty Turbosound IP3000 I purchased from Musictribe through ebay.

Upon the first use of this product it was faulty. Very low output, and extremely nasally, as if the tweeters were blown. I have had to cancel multiple gigs and have lost work as a solo acoustic artist as a result of this hassle.

I attempted to get a response trhough the Musictribe website as suggested by the return message through my ebay purchase. It is not working properly. I have also emailed Musictribe to ask for personbal assistance and have recieved no response in over two weeks. 

This is extremely frustrating. I have spent well over a thousand dollars on this refurbished speaker system and it is useless. 

My warranty number is #184170689796

I need to know what will be done at this point to have the 10 year warranty fufilled as promised when I purchased this product. 

                                              Greg Erba (323)385-6184

Most microphones, either studio, bands, broadcast, use to have a number of cascading proccesses;

Mic preamp -> EQ -> Expander/Gate -> Compressor -> Reverb and so on.

If we try to do that with the X-Air series (X18, XR18, XR12/16...) we realize there is no way to cascade effects in just one channel, despite there are up to four effects.

We can get up to four effects, but they need to be assigned to different channels.

I can´t find the way to get those four effects in line in just one channel.

Behringer, would be great to get that feature !!

I had to send IN1 to BUS1 with effect 1 inserted. Then, externally, XLR jumper from AUX1 to IN2.

IN2 insert effect 2 to BUS 2. External jumper from AUX 2 to IN3.

IN3 insert effect 3 to BUS 3. External jumper from AUX3 to IN4.

IN4 insert effect 4.

I think this is not "the propper" way, would be much better to be able to do that internally, digital jumpers.

Am I wrong?

Thank you

Meet our triber Erik Nilsson, who has been working as software developer since he joined us in 2017. He is a part of our team that develop controller software for #LabGruppen #amplifiers. This includes our industry-leading lake Controller software, which is used for touring applications for some of the biggest events around the globe. Erik loves his job because it is challenging yet creative, a perfect match for his interest in music, programming and #technology.

Like the rest of our tribers, Erik is dedicated to developing the features our #customers want.  

‘I've worked in many places during my career, but I think the focus and commitment here is something special.’ Says Erik.

Erik has been invited backstage as a VIP at recent shows and concerts that run our #software and has already made some fantastic memories. An interesting fact about him is that he plays guitar and piano and used to sing in a vocal group. Erik enjoys listening to #music and learning new things while working in a fast-paced programming environment!

We are happy that Erik commented he enjoys working at Music Tribe Brands Sweden AB!

#Meettheteam #musictribe #lakeprocessing #innovation #development #amplification #proaudio #prosound #colleagues #touring #concerts #poweramplifier #lakecontroller #soundsystem #joinus #remoteworking