Behringer

Behringer

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Behringer

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126,751 posts
  • TommBuzzetta
    Contributor - Level 2
    2019-09-29

    Producer is looking for innovative synth to use as the central story line prop in a new Sci-Fi Thriller ( "The Synthesist" ). To read the movie's synopsis -scroll down this webpage: https://locallegendfilms.jimdo.com/upcoming-projects-1/  to "The Synthesist" entry ). WHICH of Behringer' s synths would YOU nominate for use in this movie and WHY?  *NOTE:  We hope to use this synth to score the movie's soundtrack too. E-mail your Behringer synth nominations to:  [email protected]

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    • TommBuzzetta
      MarianoMart

      Maybe is too late for my answer. (the link is down). 
      Anyway, Neutron and Crave should be a perfect couple for any Sci-Fi Thriller. 


      Why: 


      Neutron is a versatile dual VCO synthesizer. His strength, in addition to the 3340 sound, resides in the semimodular patch bay. A pool for creativity. 


      Crave is a simple and powerfull sequencer vco synth. Simplicity is the real strength on this synth. You can develop a musical idea for a score film, in seconds. 

      Use both interconecting their patchbays and you will be into your awn sci-fi trhiller. 

      By the way, where I can see the movie?

      • November 30, 2019
    • TommBuzzetta
      TommBuzzetta

      Thanks for your input Mariano! Your nominations of the "Neutron" and "Crave" are duly noted. They're both great synths. I'm somewhat partial to the "Pro-1" and new "Wasp Deluxe" myself. But I'd also like to hear what some other Behringer fans think before coming to a final decision. "The Synthesist" ( -movie ) is slated to begin production sometime in 2020'. We'll have more details then. You can keep up the movie's progress on the Local Legend Films ( Jimdo ) and Creative Tech Nerds ( Jimdo ) websites. Just google those ( jimdo ) sites and click on the "Breaking News" pages. Thanks again for your input! 

      • December 5, 2019
    • TommBuzzetta
      Papasound

      I nominate the ODYSSEY.  The one with multi-colored LEDs though.  It would look great through some atmospheric haze.  And it's great at classic Sci-Fi noises too!

      • December 17, 2019
  • Skainphi
    Contributor - Level 1
    2019-09-28

    I've dug around a bit for an answer to this and can't seem to find one, even if that answer is no, I just haven't really seen it out there. 

    I have the UMC 1820 and have a mic pre connected via ADAT to supply the additional 8 inputs. Everything works as expected, except that I can't figure out a way to directly monitor these inputs. I can monitor from the DAW output, but that comes with latency.

    Is there a way to dirctly monitor the adat inputs?

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    • Skainphi
      RexBeckett

      @Skainphi 


      Hi Phillip, welcome to the community.


       


      The UMC1820 does not provide any direct monitoring of the digital (S/PDIF and ADAT) inputs. Direct monitoring is only supported for analogue inputs 1-8.


       

      • September 28, 2019
  • Nipty303
    Contributor - Level 1
    2019-09-27

    Hi all, does anyone have any idea on when the Pro 1 (or Pro One) synthesizer is going to be released? It's the one synth from Behringer that I have been waiting for more than any other since announced a while back. If it's as close to the Mini Moog Model D as the Behringer D then it should sell loads, the Pro One is still my favourite mono synth of all time.  

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  • ConnorHolden
    Contributor - Level 2
    2019-09-27

    Hi Guys,

     

    Loving my X Touch and wanting to connect some footswitches but can't find any info on what is compatible.

    I have a couple of non-latching switches, but they don't seem to be working...

    Any advice?

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    • ConnorHolden
      RexBeckett

      @ConnorHolden 


      What are you controlling with the XTouch? I believe the footswitch and expression inputs only work in MC and HUI modes - controlling a DAW. The footswitches would normally be momentary (non-latching).

      • September 27, 2019
  • FilipeNunes
    Contributor - Level 2
    2019-09-27
     
    hello good afternoon everyone
    I have a big problem on my x32 rack
    The problem is as follows
    At entrance 14 I always have 48v
    I can't disable it at all
    Ie neither physically nor remotely via pc
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    • FilipeNunes
      RexBeckett

      @FilipeNunes 


      That sounds like a hardware fault. It should still be OK for most balanced mics. I would contact your supplier to organize repair.

      • September 27, 2019
    • FilipeNunes
      FilipeNunes

      Yes with overhead microphones or other equipment requiring phantom power supply works well
      But I am looking for someone who can directly tell you which electronic component the problem may be in so that you can replace it because the x32 rack is no longer under warranty and I have no contact from someone competent to solve this problem


       


       


       

      • September 27, 2019
  • guyrhansen
    Contributor - Level 1
    2019-09-26

    when sending the main mix to the control room we are getting buzzing noise through the headphone jack at control room volume levels high enough to hear reasonably well.  I tried disconnecting the main mix output cables as well as the control room output cables.  The sound disappears when the main mix to control room button is not depressed.

    Thoughts?

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    • guyrhansen
      RexBeckett

      @guyrhansen 


      Hello Guy, welcome to the community.


       


      Let me check my understanding: You hear the buzz on the mixer's headphone output when you have monitor speakers connected to the control room outputs and the Main Mix to Phones/CTRL RM button pressed?


      Do you still hear the buzz if you disconnect the control room outputs?


      Do you still hear the buzz if you disconnect the main outputs?


      Does it make any difference if you pull the Main Mix faders down?

      • September 26, 2019
  • PeterDeClippel
    Contributor - Level 3
    2019-09-26

    Hi,

    I remember seeing somewhere you can switch the x touch between using it as a mixer controller (XR18) and a DAW controller. But I don't remember and can't find it...

    Is this possible? I work with ableton live and use the XR18 as audio interface. I need control both over the interface and ableton live, and it would be awesome to do this with 1 controller!

    thanks

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    • PeterDeClippel
      DaveMorrison

      @PeterDeClippel 


      Yes. Hold down Select on channel 1 as you power up. Then choose Xctl/MC (and the networking mode or MIDI DIN connection to the XR18). 


      Press the SMPTE/Beats button to switch between XR18 and DAW.

      • September 26, 2019
  • gtcode
    Contributor - Level 2
    2019-09-25

    Hi, I haven't bought a P16-m yet. Will the bracket P16-mb allow the P16-m to be mounted to a high hat stand with the unit facing the drummer at a reasonable angle?

     

    Also I looked online but wasn't able to find any info on the mounting holes. I'd like to devise a custom mounting solution if the bracket won't work, before buying it. Anyone have info on this?

     

    Thanks!

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    • gtcode
      gtcode

      Just answering my own questions. From a photo I found it looks as though the P16-mb will work fine with a High Hat stand.

      • September 25, 2019
  • sgagnon
    Contributor - Level 2
    2019-09-24

    Hi folks,

    Let me quickly explain what I'm trying to do and would like to have function. We're a Irish pub and our x32 feeds the main PA, two outdoor speakers (seperate outputs) and a PC for livestream via USB.

    We use an iPod for playback on aux 1-2 and I'm always fighting with the bar staff to leave the LR and outdoor speaker faders at a certain level. The outdoor matrix channels and online bus were both fed pre-fader from the main LR.

    Some days i'll come in and find the ipod at -10, the mains at -40 and the outdoors at -30/40 or the ipod at -40, the mains at -10 and the outdoor speakers at +10.. It's quite iritating.

    So what I'd done is sent the band/fx channels post fader to it's own bus submix and the ipod pre-fader to it's own bus. These two stereo submixes are then sent to the outdoor speakers giving independent control to the outdoor speakers. 

    I've also sent another post-fader mix of the band/fx channels and pre-fader send of the ipod to a bus for the livestream which is then sent to the USB output pre-fader/mute so that no physical change the bus faders affects the online feed. 

    What I want to make fool proof and easy is the iPod volume. This board is operated by 10-20 staff and many musicians without the presence a sound tech. When a staff member or musican forgets to mute the ipod aux channels, well you guessed it, you have music playing over a band online/outside and no one knows the difference unless told.

    What would be grand is it when a fader hits -oo it could auto mute itself and then unmute automatically when increased. This would be a selectable channel option obviously as you wouldn't want this behaviour on all faders.

    I'm probably creating a whole lot of grief for myself in doing all of this but I've had better results with the outdoor/online levels this way than how it was previously routed. I just need a fool proof way to get the bused ipod signal turned off when needed. And you might say.. "set up a mute group for all ipod channels and buses".. Yes that's fine and dandy until someone doesn't use the mute group button to unmute and only unmutes the ipod auxes for the house. It's happened.

    I'm open to suggestions on how to make it work better but that feature would grand in our situation.

    Thanks!

     

     

     

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    • sgagnon
      GaryHiggins

      @sgagnonDid you happen to try enabling 'hard mute' (on the setup/mixer page, X32-Edit)? If you then mute aux ch's 1/2 they will remain muted regardless of other mute/unmute key operations elsewhere on the mixer.

      • September 25, 2019
    • sgagnon
      sgagnon

      GaryHiggins I just tried it and it's a nice feature but it's a global setting and because we use mute groups for the band and fx channels I would't be able to use this strictly for the ipod aux channels from what I can see.


      Unless Behringer feel an auto mute function would be benificial to more people than just myself I think my only option is to ingrain with staff/musicians the fact that the ipod channels NEED to be muted/unmuted all the time.

      • September 25, 2019
    • sgagnon
      SethUldall

      @sgagnon 


       


      I'm not sure that I understand your issue completely.  But, would it possibly help if you configured the gate on the MP3 channels as a ducker?  Very low threashold, longest hold and release, sidechained/keyed by a channel that would have input while a band is performing... a microphone perhaps.


       


      This would automattically, effectively "mute" the MP3 track while bands are performing... and automattically "un-mute" when there's no longer signal on the mic channel.  Pretty sure it would work that way.  Not positive though.


       


      -Seth-


       


       


       


       


       

      • September 27, 2019
    • sgagnon
      sgagnon

      Hi @SethUldall 



      I actually thought of this the other day before seeing your post and theoretically it should work. 


       


       


      I just need to find the time to implement and test it.


       

       Great minds think alike!


      Thanks!

      • October 2, 2019
  • ClapTrap
    Contributor - Level 1
    2019-09-24

    I have a Problem with my RD-8. I can transfer Patterns to Sequencer (Hard- and/or Sofware). It works fine. But if i transfer a Pattern from a Sequencer in to the Rd-8, there is no BD in the target pattern. If i trigger instruments from an extern  keyboard, i can record all instruments until the BD. Can someone check that? Recording of the BD in the RD-8 works. I think it is an Bug in the RD-8 Sequencer.

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    0 212
    • ClapTrap
      kris_

      Do you use the sysex dump function to send the pattern, or do you just play it live and record the notes?


      Did you check the note mapping of the BD?


       

      • September 24, 2019
    • ClapTrap
      ClapTrap

      I record in realtime with sync with the sequencer. The note mapping is correct. If i use a keyboard i can hear the BD, but it is not recorded. All other instrument are recorded.

      • September 24, 2019
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