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New

Newcomer - Level 1

2021-04-16

M32R LIVE - is it just my luck or is there a problem with availability in Europe... | Digital Mixers

Hello,
Maybe someone here can shed some light for me on the situation.
I was trying to buy M32R LIVE for a few months now. I was waiting forever for it to be available, so several weeks ago I just placed an order and decided to wait. It was suppose to be 1-2 week waiting time at most. Well, I am still waiting. My order is still indicated as "on order from the distributor". The most recent answer I got from the retailer in Central Europe (Czech Republic) is that their European distributor does not know why it is still unavailable, nor when it is going to be available again.

I wonder why can't I get M32R LIVE for so long in Central Europe?
Any advice on how to get one in that situation?

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Dale_M Covid 19 has had an impact on production of many items, added to this there is a current restructure of sales channels, sorry there is no new news on this matter. []
- 12 hours ago

New

CHRISALYATES1

Newcomer - Level 1

2021-04-15

I can't get signal into my recording DAW via USB | I/O Interfaces

I'm using an DL 32 into an M32C. The live sound works great, but I can seem to get audio signal via my USB. I've tried using Waves Tracks on an older Mac mini with no luck. I purchased a new Mac mini M1 and installed Reaper and I'm still not seeing signal. I do see the DN32 as the input device and have that selected inside of Reaper's interface preferencese.

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RexBeckett Hi Chrisalytes, you need to set Routing -> Card on the M32C to route your inputs to the Card (USB) outputs. The attached screenshot (from X32 Edit) shows the routing to record all 32 inputs from a DL32 connected to the console's AES50-A port. []
- Thu at 3:19 PM

New

natmoo97

Newcomer - Level 1

2021-04-15

Midas M32 Bus fader issue | Digital Mixers

Hi folks, I'm looking for some knowledge into an issue I am having. For some background knowledge I run wired in ear setup and my musicians are running the M32-Q app. I have sent 6 of my bus mixes through the aux outs and a few other through the XLR outputs to get to the inear amps on the stage. My problem is that many of my bus faders are not working, the volume sent from a channel to the mix bus is all I seem to be able to control, the mix bus fader moves up and down but it doesn't change my output volume, and of course this is a serious issue as with in ears you want to make sure that musicians can turn down their overall volume to not do damage to there ears. I have updated to the latest firmware for you knowledge and I have used the board for three years and have read through the manual three or four times so I do understand routing and all the parameters but I have exhausted all my trouble shooting techniques. Love to hear if somebody knows how to fix this! Or any troubleshooting ideas!

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Paul_Vannatto In the Routing, Aux Out (and where you have assigned the mixbuses to the XLR out - probably the Out 1-16 ) screen, change the taps to post fader (in relation to the mixbus master fader). []
- Thu at 7:32 AM
- natmoo97 Hi Paul, Thanks so much for the reply. Just an additional question for you as I seemed to be getting bogged down in the routing details just a little. How does one set what the preference for the channels being sent to the bus are (wanting post EQ but before the fader of the channel as most do), versus what you have suggested as the way to route the mixbus master fader. I seem to be mixing up the two places to make this routing setting proper and just want to hammer that out so I don't run into this again! Again thanks so much for your reply, it is greatly appreciated. []
  
  Thu at 7:56 AM
- Paul_Vannatto The other sends are channel sends to the mixbuses. Those taps (found in the channel strip's Sends screen) are in relation to the channel strips faders. The other that I mentioned above (Routing, Aux Out, Out 1-16 and Ultranet screens) are in relation to the master faders of the buses (including Main LR, Main M/C, matrixes, mixbuses, etc.). []
  
  Thu at 8:13 AM
- natmoo97 Makes perfect sense thanks Paul! []
  
  Thu at 8:19 AM

New

Dberry

Newcomer - Level 1

2021-04-10

Need routing assistance for m32 FOH, X32 rack stage monitor mixer and S16 digita... | Digital Mixers

Hi guys. I just got an M32 for FOH. I want to be able to use all 16 buses for stereo sub mixes and effects sends at FOH.

I then want to use the X32 Rack that is on SR as the monitor board, using 1-14 busses for monitors.

I want the gain knob on the x32 Rack to be my master gain for both boards so I can set gain onstage while getting instrument level checks from the band.

I want the s16 by the drums for inputs 1-16 (drums and some back line instrument) and the the x32 Rack inputs for 17-32 (frontline vocals and instruments.

*EDIT*
I want outputs 1-8 to come from the x32 Rack for monitor mixes or L and R
I want outputs 9-16 to come from the S16 for monitor mixes or L and R
LEFT and RIGHT can come from either the S16 or the X32
*END EDIT*

The M32 at FOH will not require any input or outputs except for a talkback mic to communicate with the band and or audiance anouchments and a laptop into a set of Aux's for music playback. All that will be running to FOH will be the talk back mic, laptop and an Eithercon cable.

My main goal here is to be able to use all 16 busses at FOH for 12 sub mixes and 4 FX's. Then have all 16 buses on stage from the X32 rack and s16 for monitor mixes.

I won't have a monitor engineer so I thought I would set gain on stage and setup a quick wedge and IEM mix for the band, then move to FOH for sound check. Since I am running IEMs I want to be able to make EQ, gate, and Comp adustments at FOH without it chaining their IEM mixes. I am not that thrilled about have two Seperate board mixes but I do want all of my FOH buses for sub mixes so I can compress the sub mixes and make group eq changes on the sub mixes.

Is this possible, or is there a better way. I just don't want to eat up all of my FOH buses on monitors and not have them available for effects and sub mixes.

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Paul_Vannatto Hi Danny, for the most part, most everything you listed that you want can be done, except for the following:
* "outputs 15 and 16 to come from the X32 Rack for Left and Right to the mains". The X32 Rack does not have physical outputs 15/16. It has 8 XLR outputs and 6 Aux (1/4") output levels.
* The Main LR from FOH should not be routed to the X32 Rack Aux Outs, due to a slight drop in outputs.
* Also the 4 IEM's should be stereo. Those that use IEMs prefer stereo rather than mono.
* What about outputs for subs?
Looking at those requirement, I would suggest you consider adding another stagebox, such as the SD8 that would provide more physical outputs. []
- Apr 10
- Dberry Yes your right. I said 15 and 16 meaning 7 and 8 because of the outputs. As you know, I have 8 on the s16 and 8 on the x32 so i just misstated the number. So really from the x32 it would be better to have 1-4 got to IEM in the rack the 5-8 going to Front line monitors (4 mixes). Then I could use 1-4 from the s16 for drum monitor and 3 other wedge mixes. 7 and 8 from the S16 could run to the main L R. []
  
  Apr 10
CraigFowler Need some clarification. In the first sentence you say you want to use the M32's 16 buses for stereo submixes and *FX* sends at FOH. That's fine.
Later on you say that your main goal is to use all 16 buses at FOH for 12 submixes and 4 *monitor* sends. If you're doing this, presumably you want to output those monitor sends on stage. Given that you've only got 16x XLR on stage, and you're already using 14x of them for the Rack's buses + 2x of them for LR from the FOH console, where were you planning to output those extra 4x monitor sends from FOH?

Presuming you meant FOH buses only get used for FOH things, as Paul mentions, 14x monitors from the X32Rack + LR from FOH can fit on the 16x XLR sockets between the X32Rack and the S16. However you've said that you only want to use 4x outputs on the S16 for bus 9-12, which means trying to fit 12x signals on the X32Rack's 8x XLR outputs, which doesn't fit. You could use the X32Rack's TRS sockets for the other 4x signals, however personally I'd prefer to not use the X32Rack's TRS outputs, as they have 5dB less headroom than the XLR sockets. A patricularly hot mix may be fine on the XLR sockets, but might clip on the TRS sockets. If you don't want to buy any additional hardware like an SD8 to get extra output sockets, you may have to use more than 4 outputs on the S16, or make sure that the mixes you're outputing on the X32Rack's TRS sockets aren't too hot.

As Paul also mentions, you mention using outputs 1-8 on the X32Rack for 4x IEMs + 4x wedges. This indicates that the IEMs will be mono. If you can save buses at all, try to get IEMs stereo. Musicians find it a lot easier with IEMs if you can give them a stereo band mix and run their own channels straight up the middle. If the X32Rack is only being used for monitors, you can use its LR bus as a separate stereo mix (if you can make the physical output for it.)

Re the gain; if you're not going to have a Monitor Engineer, you may as well set the FOH console to control gain, then once it's set enable HA gain split on FOH so that further gain changes won't affect monitors. You could also control the X32Rack from the Laptop @ FOH using Edit if you can run an extra Ethernet cable from the stage to FOH and have a router. Either of these solutions mean you don't have to actually set gain on the Rack; you can do everything from the FOH mix position. If you are going to dial in quick wedge mixes from stage, I'd recommend you involve a wifi router and a tablet so you can stand in front of the wedges as you dial it in, instead of trying to do it from sidestage.

If you are going to be trying to mix monitors from the FOH mix position, I'd recommend routing the X32Rack's solo bus back to FOH, and using Edit on the laptop\tablet @ FOH connected to the X32Rack so you can solo the monitor mixes from the FOH mix position and hear your changes.

PS, If you don't have a Monitor Engineer, running FOH for a 32 channel show + 14+ monitor mixes all from FOH is a lot of work for one person... Good luck with it. []
- Apr 10
- Dberry Yes sorry, I meant sub mixes and *FX* at FOH. Also, yes the x32 rack will will be ran from an IPad to ring out monitors and walk around the stage. []
  
  Apr 10
- Dberry I would love the gain control at FOH but I usually set gain when I am on the stage. When I sound check, I normally stand on stage with the band so I can talk to them. I set gain on every line then while standing with the members in front of their monitors, I set their monitors where I can hear what they are getting. I normally go through level settings with the faders down, then set monitors. Then I have them go back around each input and set FOH EQ, gates, comp, levels. I have always just used a x32 rack and S16 for everything but I am doing a new club install and bought an M32 live board and bought four sets of IEM since a lot of band are using IEMs in conjunction with monitors these days. Because of this FOH won’t use inputs and outputs, just cat 5. I also needed more busses, wanting to keep the 16 FOH for sub mixes and FX and use the stage buses for monitors and IEM. So I am needing help with the routing because I am not real familiar with routing. []
  
  Apr 10
Dberry Let me try to make this easier.

Gear
M32 Live FOH (16 busses for 6 stereo sub mixes and 4 FX)
FOH will have a talk back for announcements and a laptop for playback music through a couple of AUX.
Router and IPAD for X32 Rack
X32 Rack - Stage
S16 Digital - Snake Stage
4X4 analog snake to run to front of stage for front line monitors and vocal mics.
6 Wedge Mixes
4 IEM - Shure PSM 300 (mono or stereo) 4 or 8 outs
2 outputs (Left and Right)
So I need 16 Outputs on stage
I don't run subs on a bus - I have a BSS Blu-100 that runs my mains, so I just run L and R out.

I like to set levels on stage with the band, then set monitors after line check.
This is why I like the gain coming from the X32 via the IPAD.
Then I go to FOH and set EQ, Gates, Comp, and FOH mix.
I have been running monitors and FOH many years by myself so I have a process as mentioned above. Most players can adjust their monitor mixes as needed during the show from iPhones etc..
I provide the drummer an IPAD as well for his mix since most drummers use IEMS.
I can make adjustments as needed from the iPad or X32 edit via router to the X32 rack from FOH during the show as needed for monitor mix changes.
Is it possible to do the gain split and still have control of gain while at FOH after setting the stage gains?

With this in mind, I am new to the physical console. I have always just used a X32 Rack and S16 because I have always been a mobile sound guy. I just bought the M32 Live because I am doing a house install in a really nice club.

With this information how would you setup routing so that I can have these busses as stated above and be able to make FOH changes on the channel strip without it affecting IEM mixes?

I am a very seasoned sound engineer, just new to the routing of these boards so I am asking for advise on the best way to set it up and some help setting it within all the routing tabs. []
- Apr 10
- Paul_Vannatto Thanks Danny. That looks much better. The only snag I see now is if you have the 4 IEMs in the same rack as the X32 Rack and dedicate the 8 XLR outputs for the stereo feed for those 4 IEMs, that would force you to use the S16 outputs for all wedges and Main LR. If the S16 is to be place beside the drummer (ideal for the inputs), it would make it awkward for the 4 front wedges and Main LR. For that reason I would highly suggest you invest in an SD8 stagebox (8 XLR inputs, 8 XLR outputs, 2 Ultranet) and place it front-center to provide for the 4 front wedges and Main LR.
  
  I also work as a mobile sound guy with my 2 X32 Racks (one as backup), 2 SD8 and 1 SD16 and find that the flexibility of the added stageboxes is worth its weight in gold. It really reduced the cable spaghetti onstage.
  
  I can provide the routing for both scenarios (with X32 Rack/S16 and X32 Rack/S16/SD8) if you so wish.
  
  Regarding the preamp control (gains and phantom), by default, the console closest to the preamps (preamps are an integral part of the XLR jacks) control the preamps and only one console can control the preamps at any one time. Since in your case the X32 is closest to the S16 (connection-wise), if you wish the M32 FOH console to gain control, you would relinquish control on X32 Rack (Setup, preamps, HA Remote, AES50 A or B) to what is connected to the appropriate AES50 port. If you wish a split gain control, you can enable the HA Gain split (Setup, preamps) which will provide all consoles with a digital gain (+-18 db). With that enabled, the console controlling the physical gain would have to do it on the Setup, preamps screen (instead of on the channel strip, config screen). []
  
  Apr 11
- Dberry I need to buy a few more things for the install so an additional stage box is not on the list currently. I have several analog snakes, one is a 4x4, that I run to the front of the stage for the monitors and vocal mics. Since this is an install, and the snake is 50 foot, I can run it under the stage then up under the drum stage for a clean install and just leave it connected to the S16. Same for the Left and Right Out. I also have various other snakes I can put around the stage as needed.
  
  In a perfect world I would have everything digital but its not all cheap. Since I am eventually wanting to get a Midas DL32 for the better pre-amps, I would rather save up to buy that then the SD8, but I would still have to run analog snakes to various locations on the stage. Just he nature of the beast I guess.
  
  I am still not understanding the gain split so for now let keep the gains on the X32 Rack since I set gain on stage with an Ipad then set monitor mixes with the band. I can always use the ipad or M32 edit at the sound booth to make adjustments as needed. Once gain is set, I don't normally make changes because it affects the monitors as well.
  
  If you can send me the routing for the Midas M32, X32 and S32 setup that would be great.
  
  The only other thing I can think of is if I could run the talkback to an AUX then somehow feed it to the X32 rack as a talkback into the monitors to talk to the performers as needed from front of house, that would be optimal. I am sure this can be done in routing but as I say, I don't understand the routing as well as mixing and running a stage. []
  
  Apr 11
Dberry I am not set on having a separate monitor mix to deal with but I need the busses because I like to run compression on the sub groups as well as the channels so I can go with light compression on the channels and more aggressive sub compression on the sub mixes. Then I can use DCA's running 1-32 to one DCA and the sub mixes to another DCA. This allows me to change the DCA mix as need to give more dynamics on softer songs then more compression on heavy songs. I use DCA for solo instruments such as turning up guitar solos or lead vocals and effects so I can work on one set of faders, but again this comes from always running an IPAD and wanting to sit on the DCA page once a good mix is set. Im sure I will change my thinking once I start using a physical board. I just don't see enough busses just using the M32 since I have added IEM units for the bands to use in this new club. I looks like i need 16 busses FOH and 14 for stage mixes. []
- Apr 10
KevinMaxwell Do you already have the M32 and the X32 rack and the S16? If not I would do it differently. It seems like a waste to use a Behringer stage box and have the Midas pre-amps going to waste in the M32. []
- Apr 11
- Dberry I already had the X32 and S16. I bought the M32 because of its better build and warranty/. I understand that the preamps are better but again, I have what I have. I will have to live with the X32 pre-amps until I have the money to buy a Midas DL32 stage box. []
  
  Apr 11
- KevinMaxwell I understand so I won’t write up my suggestions then.
  
  But I will make a different suggestion and I am not sure if you have spare inputs to makes this work. I did this with a setup with an X32 in the broadcast control room and an X32Rack behind stage for the IEM mix and at FOH is an Avid console. I had a bunch of analog lines not being used so I took the Monitor outputs (balanced ¼” TRS) on the X32Rack and feed that back to the Avid console. Those inputs on the Avid aren’t routed to go anywhere but to enable you to solo (on the Avid) so you can listed to what you solo on the X32Rack controlling that function with a computer or a tablet. This enables you to listen to (solo) the MixBus sends on the X32 rack so if one of the musicians needs help with their mix you can hear what their mix is and help them out.
  
  This might be able to be routed on the X32Rack by using ¼” TRS to XLR cables from the monitor outputs to a couple of spare channel inputs or maybe even to a couple of aux inputs. You just need to be sure to mute the MixBus sends to avoid someone sending that monitor signal to somewhere it shouldn’t be.
  
  To anyone else following along unless you really know what you are doing don’t do this because you could wind up with a nasty loop. []
  
  Apr 11
View later comments

New

ohyngwie

Newcomer - Level 1

2021-04-09

Regarding of RMA #378762(Midas MR18), Please help me out. | Digital Mixers

Dear Niegel,

Still struggling for more than a month over my RMA repair problem.

I just got the answer from the Thermal Relief Design about status of my Unit.

"The parts did not solve all the issues, the tech has been testing and measuring all parts. Another part was requested from the manufacture. When I hear back I will let you know about the part avail."

Even though Parts are replaced, there's something problem with the noise of my unit.

I think that's something wrong.

I cannot wait more than a week for my work. It's been much more than a month since I waited for the unit to be repaired.

Please give me another solution as soon as possible.

Thank you.

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Nigel67
Hi, as I mentioned in your other forum post, I have asked my colleague who you also e-mailed on the corresponding ticket to reply back to you as to where we go with your repair.
[]
- Mon at 6:43 AM

New

althea1076

Newcomer - Level 1

2021-04-06

MR18 Drivers for M1 Macs | Digital Mixers

Hi folks,

I recently purchased an MR18, and my Macbook (M1 Chip) will not recognize the MR18 as an audio device. An old 2015 macbook recognized it no problem, so I think it has something to do with the new M1 architecture.

Is there plans to release a driver to make the MR18 class compliant with current Macs? Or is there a workaround so I can record via my MR18 to my current gen Macbook? Would really like to keep this thing

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Nigel67 Hi althea1076, all our USB USB audio / midi devices are fully UAC2.0 class compliant and do not require drivers under MAC OS and will continue to work under CoreAudio as before. You will need to take this up with Apple. However, we haven't received any complaints from other customers so this could be a set up issue rather than an incompatibility. Make sure the MR18 is running the latest software version. []
- Apr 6

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N1Ckp

Newcomer - Level 1

2021-04-06

EPS 1200 | Analog Mixers

Hello. I recently purchased at Midas Vidas 320 desk and I love it. However, to improve longevity of this beauty I would like an EPS 1200 but cannot find one online. Seeking any help here if possible. Does Midas have any back stock of discontinued products they would sell ?

Thanks,

Nick

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Nigel67 Hi N1Ckp. Please contact our spares team and they will be able to advise on the stock availability of a psu. This can be done by clicking on the support tab at the top of the page. A new window will open. Scroll down and click on the Spare Parts tab and submit a ticket. The only other option would be to post on some of the Midas FB forums and see if anyone has a second hand one. Try 'Long Live Midas Analogue Consoles'. Hope this helps. []
- Apr 5

New

andyp13

Contributor - Level 3

2021-04-04

setting up X32 routing for DP48 | Digital Mixers

Can anyone explain what to do and how as there is nothing in the DP48 manual, and all YouTube vids just show the DP48 working, but no mention about the routing which is clearly required on the X32 end....please help someone, the DP is 3 months old and not working correctly...its really poorly supported.

TIA

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Paul_Vannatto Hi Andy, the routing assignments to the DP48 is done in the same manner as you would for stageboxes or other consoles, using a combination of the patching screens (Out 1-16, Ultranet, Aux Out, User In, User Out) and the appropriate AES50 (blocks of 8). The reason that the DP48 QSG (quick start guide) is that there are many possibilities, depending on the user's needs).

What actually is not working, and/our what do you want sent to the DP48? []
- Apr 4

New

andyp13

Contributor - Level 3

2021-04-04

DP48 POE | Digital Mixers

Hi,

as the HUB4 power supply is not available in the U.K. (and very expensive considering it's just a power supply) I'm looking for a POE to power my DP48 so I don't have to use the power supply. I'm not an electrician so don't need technical replies, just maybe a link to Amazon to one that will work with the DP48.

thanks everyone.

If you can help out, please email me as this forum is impossible to use (like dragging something through treacle. Also the chances of me ever finding this discussion again would be very slim...

[email protected]

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GaryHiggins https://www.amazon.com/gp/product/B07TQFVG2L/ref=ox_sc_saved_title_2?smid=A28ACUCUGPGKAB&psc=1" target="_blank" title="" target="_blank" title="https://www.amazon.com/gp/product/B07TQFVG2L/ref=ox_sc_saved_title_2?smid=A28ACUCUGPGKAB&psc=1">">https://www.amazon.com/gp/product/B07TQFVG2L/ref=ox_sc_saved_title_2?smid=A28ACUCUGPGKAB&psc=1">https://www.amazon.com/gp/product/B07TQFVG2L/ref=ox_sc_saved_title_2?smid=A28ACUCUGPGKAB&psc=1" target="_blank">https://www.amazon.com/gp/product/B07TQFVG2L/ref=ox_sc_saved_title_2?smid=A28ACUCUGPGKAB&psc=1

Also others:

https://community.musictribe.com/discussions/62367/310020/dp48-poe-adaptors-and-injectors-update-alt-hub4-use []
- Apr 4
GeorgeDougherty I'd love to see a version of the Hub4 that is "just a power supply" but that's not an apt description of the Hub4 at all.

Realistically it's a 1-5 AES50 splitter that supplies POE to 4 of those ports, can pass through StageConnect output routing from a Wing and routes the Mix A and B outs from connected DP48's to 16 analog outs on the back of the HUB4 for IEM transmitters. []
- Apr 4
- Paul_Vannatto Very good description of the Hub4 George. Also the DP48 talkback feature only works when connected to the Hub4. []
  
  Apr 4

New

Errol

Newcomer - Level 1

2021-04-02

Midas DP48 Compatibility With Midas MR16 | Wired In-Ear Monitoring Components

Does anyone know if the DP48 Monitoring System can be used with the Midas MR16 Mixer? Or if there is a solution how this can be configured?

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DaveMorrison No. The DP48 only communicates using the AES-50 protocol. The MR16 doesn't. []
- Apr 2
Paul_Vannatto Hi Errol, since the DP48 uses the AES50, the MR18 (or any of the M-Air/X-Air consoles) cannot use the DP48. The only solution is to upgrade to the X32 Rack (or any X32 or M32). []
- Apr 2
Dale_M No as mentioned there is no AES50 available on the X-AIR products []
- Apr 3

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