Midas

Already a weird question, you might be saying. But, I have an M32C with an S32 and they work together PERFECTLY with every Ethernet cable that I have (I have a 150 foot, a 100 foot and a 20 foot). However, I bought a 3 foot one because the M32C and the S32 are in the same case together and it doesn't work (the units won't synch up with each other). I've returned the cable thinking it was defective, but the new one doesn't work, either. I know it sounds like a dumb question, but because all my others work and neither of the 3 foot ones work, it's making me ask if length has something to with it.. THANKS!!

hey Guys!

1. Is there hope in near future that Midas is gonna work with L-ISA studio?

and as midas M32R user do i stand achance to get to use this new technology?


2. I purchased the midas M32R from sweetwater last year it was shiped to africa uganda
And early this year i got to use it for the first time it got an issue on the scribble lights nolonger show any thing

Do you hve branch of your support team to help out around the eastafrica countries like kenya,ugand or tanzania
thanks

Hi,

my church has a Midas m32 console, and 2 s16 stage boxes. We currently have in use the first 16 inputs ( 1-16 )on one s16 and a handful of inputs ( 17-25) on the next s16. We are also using 6 of the outputs ( 1-6 ) on one s16 for IEMs and 2 outputs ( 15-16 ) on the second s16 for our main PA. These are both connected via AES50 A cable. The stage boxes are connected by running a Ethernet cable from AES50 A on the back of the console to the AES50 A port on the first s16, then it is connected to the second s16 by running an Ethernet from AES50 B on the first box to AES50 A on the second s16. 

we also have a LABGRUPPEN connected to our m32 console for running overflow speakers to other rooms ( we have these labeled as matrix 1,2,3 ) these are connected to the back of the console on output ports ( 9-13 ) how can I map these stage boxes and local outputs in the routing section of my m32 but also have the ability to control each one of the matrix individually 

Hi,

I have a Midas 32R that I'm demoing at a house of worship that is transitioning from a board that has 1/4" outputs. I did not have enough 1/4" female to XLR female adapters so I decided to use the AUX Outputs on the Midas to set up the monitor mixes.  I patched MixBus 1-5 respectively to each of the Aux Outputs 1-5 and set the tap point to PreFader + M. I can control the individual channel volume in the mix, however, I cannot control the overall mix volume. Is there are setting that I am missing?

I think it would be great if you could create user layouts on the console,similar to Yamaha QL series. This would be a great advantage to get control of what faders you need on one layer. For example I have a band that has many left and right mics or Di's. I would liKe to place the left on the top surface and have it control the right on the hidden bank. 

We would like to connect a pair of stage boxes to the M32 in a house of worship. Ideally it would be one DL32 and one DL16.

My intention is to have the DL32 backstage to handle all of our FOH outputs as well as our stage monitors and IEMs, plus the inputs from wireless mic receivers also installed backstage.  The DL16 would be on the stage to handle inputs from drums and other instruments, plus utilize the Ultranet connection for personal monitor mixers.  The stage boxes would have a connection to the M32's AES50 A & B jacks.  Are there any limitations on this setup, such as total usable inputs/outputs? Are there any benefits or down-sides to connecting each to a different AES50 bus?

Challenges using In StageCONNECT Calculator (SCCalculator)
My proposed setup would be: Wing (FOH) - AES50 - Hub4 - SC - DN4816-I - SC - DN4816-I

• It's not possible to select Wing AND Hub4. What could be the reason for that?
• Second DN4816-I is greyed out but daisy chaining the DN4816-I should be possible.

Any thoughts about this?