Where can i relocate the Top columns for the turbosound ip 3000 for purchase thanks
Is it possible to route efx to the p16?
Yes.
If you want to send one of the consoles fx returns to the Ultranet bus, just assign it in the Ultranet:Routing menu. What mixer are you using?
You could route the FX Returns to spare Ultranet channels if you have some free. Otherwise, you could build mixes of channels and FX Returns on spare buses and route them to Ultranet.
I have to say, I’ve never been more frustrated by a company’s lack of service and intentional distancing themselves from their consumers.
I have been trying to get information on the MIDI capabilities of the Voicelive Rack 3 for over three weeks.
No one in sales at any of the online music stores know anything.
The TC website is impossible to navigate, there are no email adresses or phone numbers.
The money is in the bank, just waiting to be spent.
Why do I have to use a message board to get my questions answered?
How do I get sound both sides of my headphones when I come out of the aux outs. I am only getting one side. I know that to get stereo you pair 2 of the channels together. But for a mono mix how do you get both sides.. I am using an xlr to 1/4 trs and am only getting one side
I think your issue is the trs part, that's wired for stereo but being supplied with only half the signal, the output of the aux is mono. To get mono you will likely need to short the left and right sides of the trs end together, tip to ring or pin 2 to 3
The Aux outputs are not designed to drive headphones directly. If you use a P2 Headphone Amp and switch it to mono, you will hear the same signal in both ears.
Thank you. I think I will try to wire an xlr to 1/4 in the manner described above
@KellyPeterson wrote:
Thank you. I think I will try to wire an xlr to 1/4 in the manner described above
If you are planning on modifying as standard XLR to TRS cable, by shorting pins 2 and 3, it won't work. The reason is that the XLR end is configured as a balanced mono signal. Pin 1 = shield. Pin 2 = signal and pin 3 is the same signal but 180 degrees out of phase. On the other end (headphones end), the TRS is configured as a stereo signal (pin 1 = shield, pin 2 = left, pin 3 = right). Add to that, headphones use small speakers that require a small amount of amplification. Rex @RexBeckett gave an excellent recommendation with the Behringer P2. The work very well for this purpose.
I am thinking that I could wire pins 2 and 3 together to a ts jack. The mr 18 has enough output to power headphones. I would rather not spend additional money at this time
Hi Behringer please add midi local off for the MS 1. When using midi USB its creating midi loops with my DAW when using the MS 1 arp / sequencer, thanks
I'm getting up to speed with my new XR18. The wireless works fine at home, but want to have a backup for gig emergencies. Has anyone actually connected an IPAD using the Apple camera adapter/fire power cable + ethernet/USB adapter??
Hi Tim ( @Timo ),
Welcome to the community. Yes, it works fine. The only thing you need to do is make sure your XR18 is configured as the DHCP server otherwise your iPad won't get an IP addrress.
Here's the article I used as a reference: https://support.robinpowered.com/hc/en-us/articles/115002123883-Connect-your-iPad-to-a-wired-internet-connection
Note that my iPad has iOS 12.4.2.
Hope this helps,
Ken
Hi Timo,
Please forgive me if this is info you already know.
Take care to set up your Access Point at home. Don't leave it 'open'; secure it with WEP, choose a password you can remember and get your iPad to save it. Change the channel away from 1. Do all these things so other devices at your gigs don't try to connect and boot you off.
Most users would likely agree that Mixer/Router/Laptop & wireless device provide the safest live gig. If down the track you can go this way then brilliant. There's tips for this too, but perhaps for another thread.
Enjoy mixing!
Luke
Hola buenas tardes quisiera que me ayudaran a recomendar una pagina web donde pueda encontrar un repuesto para MIDAS M32 el numero de parte es P0B31 o con quien me podria contactar para la compra
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Hello, good afternoon, I would like you to help me recommend a website where I can find a spare part for MIDAS M32, the part number is P0B31 or with whom you could contact me for the purchase
Hello, I´m Sergio Castan. I bought a CMD Studio 4a. But I can´t actívate the software Deckadance 2 LE because the site web Carewalk and Stanton New account creation is currently disabled. I waited a month to fix the web, but It continue the same.
How can fix the problem?
I tryed to write to Calwalk, but it´s necessary a account to send a messege.
I own an old TC 1210. I love this machine but it's old and it needs some repairs.
As I've an electronic tech background, I can fix it myself.
Does somebody knows where I could find the service manual or schematics ?
My UMC404HD's Control Panel displays the existing sampling rate but there is no way to change it from within the Control Panel. So I tried to change it from within the software that I've been using with it -- Cakewalk. I can select a different sampling rate and the software changes, but the UMC doesn't. It remains stuck on 48k right now. I would like to set it to 44.1k. I'm getting audio drop outs because of the mismatched sampling rates.
I tried it with another piece of software -- Band in a Box. BiaB only supports 44.1k. So when I booted BiaB and then configured it for the UMC, the software did manage to change the UMC404's sampling rate to 44.1k. So I guess I'm wondering why the UMC will change for one piece of software and won't for another?
Independent of any non-Behringer software, is there any sort of secret method I can be employing to get the UMC's sampling rate to change?
I dont seem to be able to edit my post, so I guess I'll just add to it. I figured that I'd won this round via a roundabout method of forcing the UMC404HD to 44.1k by booting up software that only supports this sampling rate. Well, the sampling rate of the UMC remained at 44.1k while I had Band in a Box open and even remained at 44.1k after I closed Band in a Box. But as soon as I opened Cakewalk and loaded the file -- that has been configured at 44.1k -- the UMC switched back to 48k. WTF. Now why'd it have to go and do that for? So, any ideas?