Bill Fleming;157048 wrote:
Hello, New M32 user here with board running mostly the way however I'm scratching my head over getting sidechain effects (vox in this case) sent to the P16 and reducing the number of P16 channels necessary.
Currently I have FX1 L and FX3 L (reverb and delay) selected to send effects to the P16 for our lead vocalist but this is taking up two P16 channels plus the original dry one. It seems to me like there should be a better way of doing this whereby all of the FX sends or returns can be directed to a single P16 channel (ie. reverb and delay on single P16 channel). Is there some way I can group the effects returns to use one channel on the P16? There are additional effects that I need to employ and I'm afraid of running out of P16 channels as I still have the remaining band members to think about.
Bill Fleming;157580 wrote:
Cool, I'll give that a shot.
I'm also going to try a similar setup for 9 drum mics though not expecting to use any effects here, but plan on sending a linked pair to two channels on the P16.
The routing looks correct as far as aes50 33-48 goes. It's set like it should be. I can't really see what each p16 ch has assigned though. Routed like that, whatever each p16 ch 1-16 is set up for should come out the same from the ultranet ports of the M32 AND DL16 to a P16M. The aes50a out 9-16 and 25-32 look a bit odd though. Usually they are both (by default) set to "out 9-16" Set for aes50a 9-16 and aes50a 25-32 like it is now will send incoming aes50a 9-16 back out the DL16 xlr's (if the DL is set for mode 2/+8) and will send incoming aes50a 25-32 from the adat out 9-16 port. If "out 9-16" was used there instead, what is assigned in the outputs 1-16 routing menu for ch's 9-16 would exit the XLR's of the DL16.