Briefly glanced at the scenes. There are only 2 there. The third file is a channel preset.
The problem with using multiple monitor consoles for the same inputs (assuming you want monitor channel processing different to FOH channel processing) is keeping the channel processing consistent between the two monitor consoles. You don't want a lead vocalist eq'd one way in one bunch of monitors, and eq'd differently in a different bunch of monitors; someone will end up off pitch.
If alternatively you're happy with having the same channel processing in monitors as is in FOH, and you're just using multiple monitor consoles purely for the extra buses, this becomes a lot easier.
Assuming you *do* want different channel processing in monitors compared with FOH, I think I have a routing solution (though it has some caveats) which can work, but need to confirm a few details first.
In one post you write that you have 2 DL16s, in another you write that you have 3. How many do you actually have?
(Assuming 3 DL16s and 32 mics) are all the mics connected to the first 2x DL16s? (ie the 3rd DL16 is purely for output; its preamps are unused.)
Do FOH outputs need to come out of the DL16s, or do they need to come out of the FOH console's own XLR outputs?
It looks like you've got some other outputs from the FOH console (some wedges, a HA etc.) Do these need to come out of the DL16s, or the FOH console's own local XLR outs? Keep in mind if you've got 3x DL16s and want 20x monitor mixes (10 per Core,) that only leaves 4x outputs available on the DL16s to fit the rest of the FOH mixes.
I can understand each musician using their own tablet\phone to control their own monitor mix, but how (who) controls the actual channel processing for individual channels in those monitor mixes?
Do any signals connected directly to the FOH console (eg the card in (click) other aux ins, talkback) need to make it to the monitor consoles? I presume the click + TB would, but are there any others?
Is the computer you're using for the Click running Windows? If so, there's an app that can keep processing between 2 consoles the same, which would help.
Are you using the AuxIO for any inserts? I notice there is CR+HA outputs staged there. Do they have to be on TRS or can they move to XLR?
You mention have 10 people on each Core, but the one Core scene you did upload shows 14 buses (7 stereo) in use. A single Core can't accommodate 10x stereo mixes. At most you could have 9x (if you don't use FX and you use the Core's LR bus.) How do you plan to fit 20x stereo mixes across 2 Cores, and fit 40 outputs onto 3 DL16s. I'm not meaning to be facetious there, I just need the right info to help find the right solution, and ensure you're not misled and don't feel disappointed afterward when you find out the gear isn't equipped to do what you thought it would do.
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