I have a Midas M32C & DL32 that we always use with all our IEMs (in Stereo) connected to the AUX sends (4 wireless and our drummer is wired). We have it setup with great mixes until we get a new sound guy that continually plays with gains changing our IEMS all night long. I decided we had enough and tried tonight to connect our M32C/DL32 to act as FOH and use our DL32 AES50 B to connect to a X32 rack system. I was able to get it all connected and working however, when testing it during band practice tonight the same issues prior appear that they will still be a problem as the AES50 doesn't allow a complete independant connection between the FOH and IEM Mixer in this case. They both share the gains of FOH which will be a problem again with a sound guy that likes to continually change gains. Am I doing something wrong? if not, why would anyone recommend AES50 split between FOH and IEM mixers?
My goal is to give my band complete flexibility of EQing each channel to their liking within their IEMS. Right now by using just the M32C/DL32 after FOH is set we can change EQ of just their stereo Bus sends to assist but that's it. I did purchase a 32 channel split snake this week and haven't tried it yet as I wanted to try the easier solution with AES50 split first. If everyone agrees that we can never get true independant mixes this way for our IEMs that won't be affected by FOH, is my only solution to use an Anolog split snake? And if so, what is the best way to give each musician what they want in their IEMs? I'm willing to work with each musician until the EQ, FX, etc. is to their liking, I know if the drummer likes his kit mixed a specific way in his IEMs everyone gets what he prefers but seems to be the most fair as each gets to choose their own mix of their instrument, correct?
I would appreciate any pointers on this topic ASAP as I need a solution by this Friday so we can start and end with the same great mix in our IEMS regardless of what FOH does.
Thanks in advance, Danny K
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