Posting scene and checking the cat5 cable, yes as already suggested. One other quick thought. Is yout P16M plugged from the ultranet port on the back of the S16 and not the Producer? If so, check the Producer routing for aes50a 33-48 and make sure it says "p16 1-8" and "p16 9-16" If it got changed somehow with the power surge/reboot etc, it could do what you describe. Eg it now says out 1-8/out 9-16 instead of p16. Read more

Pretty slick package already!! Looks like it's ready for market as it sits. I've seen many things out there officially for sale that don't look as polished! Very nice job. (yes I know they aren't for sale-or are they ) Read more

Is it connected to the A port on the S32? You need to use the S32 A port to get a clock signal from the mixer. If also the A port is used on the X32, all home/input routing should say aes50a 1-8/9-16/17-24/25-32. If using the X32 B port then use aes50b 1-8 etc.   EDIT As long as one mixer is connected to the S32 A port for the clock source, a second mixer then connected to the S32 B port can access the S32 preamps as well. Read more

8 will be enough to use the edit program. 9 fixes a very specific bug and 11 makes the K/T version of the X-Live card work as ot should. I would just put up 3.11, not that much of a difference from 8 or 9 but just in case there are "other" little fixes not really noted-and you will be officially up to date. I have done so on all my mixers, including my Core without any issues. Besides you can always go back to the earlier version if you really want. Read more

 I use a Ubiquiti Outdoor 5 for gigs both inside and out and I use cat7 with it (almost all my cable is now cat7) so it should work just fine.   Read more

I installed on my Rack, Core and M32R no problem. BTW I checked again this am and the firmware files were now correctly listed at the full X32 and full M32 product pages so I suspect it's correct now on all product pages. Read more

You will want to change the connection of the DL32 to the AES50 A port side so you will be able to rout to the DL outputs and control its headamps. Although you can access the preamps from the B port side on a DL32, you can't direct the output routing or change the gain from there. You need to have a mixer connected to the DL32 A port providing clock to do that. So:   FOH AES50A connected to Monitor AES50A Monitor AES50B connected to DL32 AES50A   EDIT: one way to do it   With that connectivity and with the pics attached: FOH outputs uses outputs 1-16 assignments, with out 1 set for Talkback' (pic 1) FOH uses aes50a out 1-8 as "out 1-8" for the first bank of 8 sent to MON desk. (pic 2) MON inputs uses aes50b 1-32 (DL32 stagebox preamps) for inputs 1-32 AND aux remap is set for aes50a 1 and 2 (outputs 1 and 2 of out 1-8 from FOH), aux ch 1 then becomes Talkback, aux ch 2 doesn't matter really (from the FOH desk) (pic 3)   MON desk mixes for musicians etc uses aux ch 1 for talkback source along with any other monitor ch's in each monitor mix as desired. This assuming you want talkback from the FOH position.               Read more

I would maybe suggest using a larger monitor in studio and run X/M32-Edit. Every single ch strip can be edited to fit your needs of the session. The left hand side top 4 tabs (Edit save/load/move) allow all 8 lower ch selection tabs to be completely edited, named, saved and recalled with any color strip choice you want to use. You could use X32-Edit in studio for that large screen and use M32-Edit for yourself (if you were using that software already) in your control room. Of course that would require buying a large screen display for your studio but these get cheaper by the day here in the US. (43" HD at Walmart for under $300, 32" for under 175).  At least all could see what the ch's are pretty easily....and you could watch tv on breaks Read more